The Steve Eberhart Collection
![]() Steve Eberhart (16) at KGAF Gainesville TX, 1973 ![]() KIKM, Sherman, 1976
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Steve Eberhart grew up in Lindsay, Texas, listening to KLIF, the "Mighty 1190" in Dallas. While sitting on a tractor on his uncle's farm in 100 degree Texas heat, he imagined what it would be like to be one of those disc-jockeys at KLIF. He made the decision to become a DJ at age 12. At 15, he passed the FCC 3rd class license exam and got his first radio job at KGAF in Gainesville, a country station, in December of 1973. He worked there through high school and after graduating went to KIKM in Sherman, Texas, a bona fide "Top 40" station complete with processing, reverb, TM jingles, and a very tight playlist of hits! He worked there for a couple of years while in college and then got the call for the big time at KVIL.Ken Barnett, a former KIKM jock, was already at KVIL and suggested that Steve apply at KVIL. Program Director Ron Chapman hired him on the spot and in a couple of months was full time, working there for six years in various shifts.
Steve left KVIL to do afternoons at KLUV for four years where he worked with Rick Peters, the legendary Art Roberts, Dave Van Dyke, and Chuck Brinkman. He returned to KVIL as music director for three years and then joined KDMX for three years before the ABC Radio Network and their "StarStation" A/C format. He moved to Austin to work for Capstar on "StarSystem", doing voice-tracking across the southwest. As of January 2000, he has moved back to Dallas and is heard on the ABC Radio Network Starstation format. Steve had the pleasure of working with some of the best, many who at one time or another worked at the legendary KLIF in Dallas. By the time Steve got on the radio, KLIF had already seen its better days. In 1998, Steve noticed a number of web sites for legendary top 40 stations, but a lack of anything about KLIF and Gordon McLendon, so Steve created KLIF History. The site includes much memorabilia and Steve has been contacted by virtually everyone still around from the glory days of KLIF. In 1983, Steve called Gordon McLendon and talked about the old KLIF. Steve says, "Amazingly, he was quite forthcoming about it all. It appeared to me that no one had asked in a while. Of course, he would have been the one to write the history of KLIF, but he passed away in the mid 80's. This all brings us to my reason for being interested in KLIF. It was a HUGE station by all measurements, and commanded almost all the listeners in North Texas in the late 50's, all of the 60's and some of the early 70's. When it was hot, which was for a LONG time, it was untouchable. It is no doubt one of the most influential stations in the history of modern radio. McLendon and his staff were exceptional talents, many of whom continue in radio today. The tapes contributed to REELRADIO are from my private collection gathered from my own taping of KLIF years ago and from exchanges with others along the way. Enjoy!" |
The Repository thanks Steve for sharing!
Scoped
[Description by Contributor Steve Eberhart]
This is what Ken Dowe wrote to me regarding his Granny Emma character:
Granny Emma (“I may be old, but I got gold!”) lifted me from mediocrity and probably saved my sanity as well as my career. I stole Jonathan Winters’ “Maude Frickert” voice while working for Kent Burkhart in Atlanta. Fellow jock and still great friend Rod (Come on down!) Roddy actually convinced me to turn it into a character. And, “she” made my on-air career.
Later, John (Borders) Dark often would tell me he was going to fire me if I didn’t quit using Emma on air. I lived vicariously though an alter ego that allowed me to say whatever I pleased whenever I chose about whomever I pleased…
“Granny” took on Clint Murchison (DALLAS COWBOY OWNER) and attacked the play of his (“America’s”) team even while traveling with them, and spat officious advice to one and all. Not even nice people like Stanley Marcus were exempt. No one escaped (sorry, “EXcaped”!) the wrath of the wealthy, temperamental, wasp-waisted, Lear Jet flying, 32nd degree martial arts expert …G. Emma Dowe. “Tell McLendon the old Scotch drinker I’ll say what I want! Gimme a check. I’ll buy his place! Any bank!”
Granny Emma went bust in Silicon Valley during the recent dot.com collapses. Ken Dowe is a late blooming hip-hopper with his partner Hymen Childs in Dallas Ft. Worth.
[Our thanks to Steve Eberhart and Ken Dowe for this exhibit.]
About this exhibit…
As of August 2006, Ken Dowe is still active in station management.
Brad Messer (R&R) is featured with two newscasts. As of August 2006, Brad is still on the air in San Antonio.
The aircheck opens with a classic “Communication Is The Beginning Of Understanding” spot from The Bell System.
This recording was originally created at KLIF for the USS KEARSARGE, the third ship in the U.S. Navy to bear the name. It was decommissioned in 1970, about a year after this aircheck.
Unscoped
This is what Ken Dowe wrote to me regarding his Granny Emma character:
Granny Emma (“I may be old, but I got gold!”) lifted me from mediocrity and probably saved my sanity as well as my career. I stole Jonathan Winters’ “Maude Frickert” voice while working for Kent Burkhart in Atlanta. Fellow jock and still great friend Rod (Come on down!) Roddy actually convinced me to turn it into a character. And, “she” made my on-air career.
Later, John (Borders) Dark often would tell me he was going to fire me if I didn’t quit using Emma on air. I lived vicariously though an alter ego that allowed me to say whatever I pleased whenever I chose about whomever I pleased…
“Granny” took on Clint Murchison (DALLAS COWBOY OWNER) and attacked the play of his (“America’s”) team even while traveling with them, and spat officious advice to one and all. Not even nice people like Stanley Marcus were exempt. No one escaped (sorry, “EXcaped”!) the wrath of the wealthy, temperamental, wasp-waisted, Lear Jet flying, 32nd degree martial arts expert …G. Emma Dowe. “Tell McLendon the old Scotch drinker I’ll say what I want! Gimme a check. I’ll buy his place! Any bank!”
Granny Emma went bust in Silicon Valley during the recent dot.com collapses. Ken Dowe is a late blooming hip-hopper with his partner Hymen Childs in Dallas Ft. Worth.
[Our thanks to Steve Eberhart and Ken Dowe for this exhibit.]
About this exhibit…
As of August 2006, Ken Dowe is still active in station management.
Brad Messer (R&R) is featured with two newscasts. As of August 2006, Brad is still on the air in San Antonio.
The aircheck opens with a classic “Communication Is The Beginning Of Understanding” spot from The Bell System.
This recording was originally created at KLIF for the USS KEARSARGE, the third ship in the U.S. Navy to bear the name. It was decommissioned in 1970, about a year after this aircheck.
[Description by Uncle Ricky, from credited sources. Contributed by Jay Marks for Steve Eberhart]
Don Keyes died in Dallas on Monday, January 23, 2006 from medical complications. A public memorial service was held January 28 at the St. Barnabas Episcopal Church in Garland, Texas.
As national program director, Don Keyes oversaw the programming operations for all of the McLendon Stations from 1957-1966. These legendary radio stations included KLIF, Dallas-Fort Worth; KILT, Houston; KTSA, San Antonio; KEEL, Shreveport; WYSL, Buffalo; KABL, San Francisco; WYNR (later WNUS) Chicago; XTRA News, Los Angeles, WAKY Louisville and KADS (later KOST) Los Angeles.
This aircheck of The Don Keyes Caper features Keyes in the 3PM hour in Dallas on February 6, 1956 – when “all we housewives (ahem) are taking our coffee break in the middle of the day..”
It conjures up a lost world of a happier, simpler America. But Keyes references more “rock and roll” selections coming up later in the day  after the children return from school, of course.
This exhibit was contributed by Jay Marks for The Steve Eberhart Collection. Steve originally gave it to Jay, and Jay restored it. So now, it’s here, thanks to both Steve and Jay.
You’ll also hear Ed Sullivan pitching Guys And Dolls (the toast of the world!) Really, kids, this was just on the cusp of Rock’n’Roll, and it’s just so … pleasant! All the records have melodies, and those with lyrics are alternately clever, predictable or stupid. Ah, American Popular Music, post WWII. The last of that era is here in this exhibit, not to mention a custom promo voiced by a local Boy Scout.
We must wonder if this was originally saved on acetate  after all, it *was* 1956. FIFTY years ago one week after this exhibit appeared on REELRADIO. One final thought: Gotta love The Four Freshmen, especially with 5 trombones!
He left KLIF in 1968 for CKLW. and made tne rounds at some of the biggest Top 40 stations in the nation, including KFRC, WLS, and KHJ. In 1977 under the consultancy of RKO, KLIF was attempting a resurrection plan to return 1190 to its once glory years. In 1977, Van Dyke returned to KLIF as morning man. By 1979, he was PD and settled into the afternoon shift.
This is the last shift Charlie did on KLIF on the afternoon of February 16, 1979 before heading to WRKO in Boston. Saddled in with Bill Grady in the newsroom and Dick Siegel in the KLIF chopper, it is hard to imagine how this wasn’t the number one radio program in Dallas. It wasn’t, and the attempt to resurrect KLIF didn’t succeed, but they gave it a helluva try!
Listen closely for Dick Siegel’s very “blue” comment which was quickly ignored and covered by CVD (“or a female.”), not to mention the “let the truth be out” revelation at the end between Van Dyke and Grady (“…pompous pushy-ass”). What were they gonna do, fire him?
[Description by Steve Eberhart]
This is from the reel-to-reel aircheck machine at KLIF in October, 1970 and features KLIF’s full-time part-time (swing) DJ, John Butler.
UNSCOPED! It’s all here, just like it was broadcast originally. But the music licensing and performance people insist we pay them for the rights to present these programs here. Your tax-deductible contribution to REELRADIO, Inc. helps us to continue operating this Repository.
John was a fulltime weekend jock who did fill-in duty and production work for KLIF. In the early 70’s, he was one of KLIF’s most popular DJ’s among young listeners.
This tape is a night shift as John fills in for legendary KLIF jock Mike Selden. Great tunes, great spots, great jingles, great newscasts! KLIF was still cookin’ in 1970. You’ll dig this one.
You will hear a Ron Chapman aircheck featuring Suzy Humpheries.
Ken Barnett, Buddy Baron, Larry Dixon and Lynn Haley are also included.