The Scott Lowe Collection

Picture of
Scott Lowe at 16
Picture of
Scott Lowe & his vinyl, 2007
Picture of
Scott Lowe, 2009
Scott Lowe's interest in radio took off in the mid 70s (at age 4), while he was glued to a transistor radio listening to Top 40 WEEX in Easton, PA. A few year's later, his parents moved closer to Philadelphia and his favorite stations included: Hot Hits WCAU-FMWMMR and Rick Carroll's "Rock of the 80's" format on WIFI.

While in the eighth grade, he started hanging out and doing shows for the campus station at Trenton State College, WTSR. His professional radio career started at WBUX Doylestown, PA and WPST Trenton, NJ, both while still in high school.

In the mid 90s, Scott went to Philadelphia to join the airstaff at WXPN and did both on-air and production for rock outlets WPLY and WYSP. He also spent fours years in Los Angeles, hosting a free-form music program at FM 89.3/KPCC, and he was Production Director for Modern Rock Y107.

After L.A., he returned to the east coast for nights and imaging Production at heritage CHR outlet, B104 (WAEB-FM) in Allentown, PA. Most recently, he was the nighttime host for WHTG-FM in Asbury Park, NJ.

Scott often calls himself a Radio Archivist and a Pop Music Historian, with a vinyl record collection of over 10,000 discs.

In 2006, Scott co-founded a production company and has been involved with developing several video projects, including a feature length film.

The Repository thanks Scott Lowe for sharing!

… There’s a house across the street with a wooden moose in the front yard …
Recreational Production, Exhibit Description and Expert ‘scoping by Contributor Scott Lowe This is not exactly a real aircheck, but it is 100% authentic Wolfman Jack! When I was working at B104 in Allentown, PA. (2005) I found a file cabinet filled with reels of the syndicated “Graffiti Gold,” plus jingles and ID carts with custom Wolfman Jack liners for our sister station, 79 WAEB. Just for fun, I thought it would be cool to assemble an hour of Graffiti Gold with the customized WAEB material. I was careful to match the tempo of the custom liners with the talk breaks on the reel and mixed the levels to make it sound as if he was really there. From 1957 to 1983, WAEB-AM had a successful Top 40 format and continued with Adult Contemporary and Oldies formats through the mid 80’s.
… . . . There’s a house across the street with a wooden moose in the front yard . . . …

Recreational Production, Exhibit Description and Expert ‘scoping by Contributor Scott Lowe

This is not exactly a real aircheck, but it is 100% authentic Wolfman Jack! When I was working at B104 in Allentown, PA. (2005) I found a file cabinet filled with reels of the syndicated “Graffiti Gold,” plus jingles and ID carts with custom Wolfman Jack liners for our sister station, 79 WAEB.

Just for fun, I thought it would be cool to assemble an hour of Graffiti Gold with the customized WAEB material. I was careful to match the tempo of the custom liners with the talk breaks on the reel and mixed the levels to make it sound as if he was really there.

From 1957 to 1983, WAEB-AM had a successful Top 40 format and continued with Adult Contemporary and Oldies formats through the mid 80’s.

… three dogs tonight, mama …
[Description by Uncle Ricky. This exhibit was contributed by Scott Lowe] Sure sounds like China Smith is introduced as Shana, at least to me it does, but since KING was using the first generation Johnny Mann jingles, I guess it doesn’t matter. Still, I’ve heard the Mann stuff used better, we all have. This restoration is interesting because the music variety is exciting and the original fidelity was very good. But, there was nothing left of any commercial sets, and there are glaring restorative shortcomings. But, China is too cool at the Big Eleven with lots of hit rock ‘n’ roll music. China Smith, KING Seattle, 1971 ©2007 – 2010 REELRADIO, Inc.
… . . . three dogs tonight, mama . . . …

[Description by Uncle Ricky. This exhibit was contributed by Scott Lowe]

Sure sounds like China Smith is introduced as Shana, at least to me it does, but since KING was using the first generation Johnny Mann jingles, I guess it doesn’t matter. Still, I’ve heard the Mann stuff used better, we all have.

This restoration is interesting because the music variety is exciting and the original fidelity was very good. But, there was nothing left of any commercial sets, and there are glaring restorative shortcomings.

But, China is too cool at the Big Eleven with lots of hit rock ‘n’ roll music.

… . . . strangest feeling that I want to run out a build a sand castle . . . …

Description by Uncle Ricky. This exhibit was contributed by Scott Lowe]

It’s hardly two quarter-hours long, but it’s enough to hear that the newly christened China Smith has found his pace and polished his performance on KCBQ in San Diego.

We wonder if the Hi-Lo contestant enjoyed her Woodstock poster? There are a couple of musical surprises, too. Thanks to Stormy Hunter for help with this restoration.

… strangest feeling that I want to run out a build a sand castle …
[Description by Uncle Ricky. This exhibit was contributed by Scott Lowe] It’s hardly two quarter-hours long, but it’s enough to hear that the newly christened China Smith has found his pace and polished his performance on KCBQ in San Diego. We wonder if the Hi-Lo contestant enjoyed her Woodstock poster? There are a couple of musical surprises, too. Thanks to Stormy Hunter for help with this restoration. China Smith, KCBQ San Diego, October 1970
… right down to the bottom of my boogity-boogity shoes, the world’s most pampered disc jockey …
[Description by Uncle Ricky. This exhibit was contributed by Scott Lowe] Wayne Thomas demonstrates his “straight” production style and his “jive” DJ performance on this aircheck from WGRD in Grand Rapids, Michigan. Less than 8 months later, he moved to San Diego and KCBQ as China Smith. Wayne Thomas, WGRD Grand Rapids, February 1970
… My theme song from the Stones …
Shana(courtesy LA Radio People) Description and Great ‘scoping by Contributor Scott Lowe Shana was my PD at KPCC. It took a while to convince her to dig up something from her Top 40 past, but she eventually gave in and passed along an unscoped hour from early 1976. It’s the midnight hour at KFRC, and Shana is filling-in for Don St. John on a “Golden Weekend”. The log is packed with ten minutes of spots (12 units), and five are live reads. Lots of Johnny Mann jingles are heard, along with the more contemporary package from Joseph P. Cuff. Later this same year, Shana moved down the coast to KHJ/Los Angeles. Shana passed away July 17, 2015, of unknown causes. She was 62.
… My theme song from the Stones …
Shana(courtesy LA Radio People) Description and Great ‘scoping by Contributor Scott Lowe Shana was my PD at KPCC. It took a while to convince her to dig up something from her Top 40 past, but she eventually gave in and passed along an unscoped hour from early 1976. It’s the midnight hour at KFRC, and Shana is filling-in for Don St. John on a “Golden Weekend”. The log is packed with ten minutes of spots (12 units), and five are live reads. Lots of Johnny Mann jingles are heard, along with the more contemporary package from Joseph P. Cuff. Later this same year, Shana moved down the coast to KHJ/Los Angeles. Shana passed away July 17, 2015, of unknown causes. She was 62.
… I’ve got a cold date at the cemetery …
[Description by Uncle Ricky] REELRADIO published an exhibit titled “Program Aids of ‘THAT HAUNTING THEME'” on Sunday, September 27, 2009, and I suggested (in comments) that if anyone wanted to produce a Halloween show incorporating this “scary” 1964 radio station thematic package, I’d stream it. Scott Lowe responded, asked me to send him some production elements, and this was the result. I found it very enjoyable, with just the right blend of familiar and strange halloween music, sfx, gags and genuinely interesting factoids about the tunes. As I told Scott, it was like “listening to the radio again.” And for me, particularly enjoyable because it was something produced for REELRADIO that, for once, was something completely new and fresh. Even better, I could find nothing seriously “wrong” with it, technically or formatically. I’m pretty picky about those things, so WOW – here’s someone who still knows how to make a radio show and have fun with sound. The number of listeners to our special Halloween stream for 2009 is a fraction of those who might sample Scott’s program on a “demand” basis. So, it’s a permanent exhibit because it was a wonderful contribution to our Repository and I want to share it with as many listeners as possible. Thank you, Scott! The China Smith Airchecks More to Come from The Scott Lowe Collection!

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum