The Ron Riley Collection
![]() Ron Riley, WLS, 1966
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Ron Riley's first Top 40 job was with WOKY in Milwaukee, Wisconsin, in 1960. He made brief stops at WRIT (Milwaukee) and KXOK, St. Louis (1961) before his first tour of Chicago at WJJD. That ended with a format change in 1962, when the entire staff was ordered "off the boat".
He accepted vacation fill-in back in Milwaukee at WOKY, and about 5 minutes after he did, Gene Taylor called from WLS asked if he'd like to do the all night show for five weeks. Riley explained that he had just made a commitment to WOKY, and Taylor said, "Well, Ron - do what you want, but it would give me a nice chance to hear you on WLS." So, Riley did both jobs for over a month, six days a week. He would drive to Milwaukee and do afternoons, then drive back to Chicago, sleep for a few hours, and then do the overnight show at WLS. "It turned out to be the smartest thing I ever did," says Ron. "You gotta take those chances." Riley went on to WHK in Cleveland, and in early 1963, Taylor called again. Dick Biondi had been sacked, Art Roberts was moving to Biondi's old slot at 9, and Riley was offered the early evening show. Riley left WLS in 1970, took a quick rebound gig at WCFL, and then in August of 1971, he moved to an on-air/PD job at WCAO Baltimore. In 1982, he went into television full-time. Ron is currently one of the personalities at News Channel 8 (Maryland, Virginia, Washington, D.C.) Visit Ron Riley at www.ronriley.com! The Repository thanks Ron Riley for sharing! |
This aircheck of The Real Don Steele includes his reading of “Don’t Ever”, a contest entry for KHJ’s Lyric Writing competition. You’ll also hear a great mix of Southern California hit music. In fact, Far Out Man, this IS 1967.
And whadda wrap. The finale is a complete Marv Howard newscast and a report from water-bombed Art Kevin at the Army Induction Center. The Danny Baxter sports report helped several listeners determine the exact date of this broadcast.
This exhibit is UNSCOPED, meaning that all the music is included. We are required to pay a fee for each listener for all musical performances on this recording. Plus, we must also pay the cost of Internet bandwidth to deliver it to you. We are a user-supported organization, and if you enjoy this exhibit, please say thanks with your support.
This exhibit required some concentrated back stage massage (noise reduction, etc.) and I’m tempted to believe this recording was originally taken from a telephone coupler, or that the audio was delivered over a local telephone connection. Did KHJ have an auto-answer phone coupler connected to their air monitor? KFRC did. Did all the RKO stations have this? Very high quality in, telephone quality out. Just dial the number and listen. (The number was supposedly for Big Guys only.) And some of these devices actually passed stuff up to 9Khz, at very low levels, of course. Depending on what you used on the other end, if you were in the local dialing area, and the switches connected “just right”, you could get a fairly wideband recording. The downside was the additional high-frequency noise. Notice the infrequent “dialing noise” here and there. Anyway, that’s my theory. I also removed a lot of 60Hz hum and some other click-click pre-digital nasties.
All in all, a fascinating recording, Thanks again to Ron Riley for this awesome snapshot of RDS on KHJ, August 2, 1967.