The Rob Calhoun Collection

Rob Calhoun, 1985
Rob Calhoun, 1985

WVJS Stereo AM 1420

96 STO - Today's Best Music

Rob Calhoun, 1998
Rob Calhoun, 1998

 

Rob Calhoun (RadioRob) says he's loved radio since he was born.

- I got my start at simulated bigtime radio when I was 16 years old. I was entrusted with the coveted Sunday Morning Drive Time Shift at WVLK in Lexington, KY. I was the one who ran "The Christian Hour", a program which ran only fifteen minutes and played gospel favorites like "Tennessee Ernie Ford sings with The San Quentin Prison Choir." I graduated from that to being an all-around utility dude.

My first chance for normal hours was at WVJS in Owensboro, KY., the place to learn how to do radio — and I did — becoming afternoons and Assistant PD. Sadly, I entered this business during deregulation and the Telecom Bill. After four years, a new GM eliminated my position for automation. I wound up working for The Cromwell Group's WKCM/WLME in Tell City, IN. Details of that time of hell could be used as a screenplay for "Pulp Fiction II". I stepped away from radio for a bit only to return to CHR 96STO (WVJS' sister) Evansville, IN/Owensboro, KY. First middays and then to nights (my dream gig).

Life was nice but the Telecom Bill headed its ugly rear once again. The new owner hired a GM who was able to do what a fire in 1964 and a tower collapse in 1983 couldn't do: bring WSTO to its knees! I was staff casualty number 25, I think. After a two week vacation through the North Carolina mountains and coast scanning the radio dial, I determined radio was a "vast wasteland" with a few exceptions like Jackson Armstrong at Oldies 93 in Winston Salem, NC. I returned to Owensboro and went to work with my former WVJS boss Joe Lowe. I handle audio/video needs for The Executive Inn, a 640 room hotel/convention center and do freelance voice work. -

The Repository thanks Rob Calhoun for sharing!

From Columbus Day, Monday, October 13, 1986: Rick Dees plays the most-requested songs. There’s a Concert Calendar, for historic reference to live music performances all over the country at the time. This direct-from-vinyl syndication disc includes wonderful national spots for Doublemint Gum, Certs, and several others.

There’s an appearance by Groanin’ Barrett, a Close-Up of Billy Idol and staff member Kenny using a pay phone.

From Columbus Day, Monday, October 13, 1986: Rick Dees plays the most-requested songs. There’s a Concert Calendar, for historic reference to live music performances all over the country at the time. This direct-from-vinyl syndication disc includes wonderful national spots for Doublemint Gum, Certs, and several others.

There’s an appearance by Groanin’ Barrett, a Close-Up of Billy Idol and staff member Kenny using a pay phone.

From Friday, May 16, 1986: Rick Dees plays the most-requested songs. The in-studio guest is Gloria Esteban & Miami Sound Machine.
From Friday, May 16, 1986: Rick Dees plays the most-requested songs. The in-studio guest is Gloria Esteban & Miami Sound Machine.
From Thursday, May 15, 1986: Rick Dees plays the most-requested songs. The in-studio guest is Mike & The Mechanics.
From Thursday, May 15, 1986: Rick Dees plays the most-requested songs. The in-studio guest is Mike & The Mechanics.
Q102 (WKRQ-FM) nighttime jock Mark Sebastian’s battle cry this time around was The Frog is Dead. The Frog was the mascot of album rocker WEBN. Sebastian did his own version of the SNL “Larry The Lobster” bit. He took listener’s votes to find out if they wanted him to grind a frog up in a blender. The next night — as Randy Michaels put it — “What’s green and goes a hundred miles an hour? On this recording from March 16 & 17, 1983, you will hear Sebastian, late night jock Janeen Coyle, and Michaels bid farewell to the little froggy.
The Top 40 world as WSAI 1360 knew it ended with Randy Michaels’ arrival to the Queen City. Michaels programmed Top 40 on FM with Q102 around 1975 marking an end to WSAI’s dominance. Michaels left the market a year later to program sister station WDAF in Kansas City. He changed the format from Middle Of The Road to Country. Michaels returned to Cincinnati in the summer of 1978 to lay his programming hands on WKRC-AM (55KRC). Much like WDAF, 55KRC was playing Middle Of The Road music and suffered ratings problems. Rumors were strong that Michaels was planning to change 55KRC to Country. In reality, the presentation was updated to what we now call “Hot AC”. But WSAI’s management believed the rumor and decided to beat Michaels to the format. On August 22, 1978 at six A.M., WSAI 1360 changed formats from Top 40 to Country. This aircheck is from the evening before, a “Goodbye to SAI”. Former WSAI night personality Dusty Rhodes was brought back to ride WSAI into the Top 40 sunset. (Courtesy of California Aircheck)
… And he broke in on the Reverend’s message, yelling pistoleros!, and you could hear the bullets …
[Description by contributor Rob Calhoun]This All Things Considered report prepared by Rachel Maurer was a brief history of the Border Blasters, including XER, XERA and XERF, with a focus on Dr. John Brinkley and Wolfman Jack. (Wolfman appears around 16:09.)

All that power — sources claim up to a million watts at times — spread the word about the magic of goat glands that increase virility. It was also during those years the Border Blasters gave much of the world its first exposure to Country and Soul music.

The advantage of working for an NPR affiliate is when you heard a story that’s worth keeping, you record a later feed. I stayed late that night to catch this audio gem.

JJ Jackson is here, but no jingles are to be found on this aircheck of “Quixie” which sounds like it was recorded off the WQXI air monitor. The station is still very hit intensive so it sounds like the steam was still there competing with FM.

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum