The Paul Mayer Collection
![]() As Paul Leigh on X-ROK80
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Paul Mayer writes:
"I didn't save tons of tapes of airchecks and jingles. Now, looking back, I wish I had! Through the seventies I had the good fortune of working at some amazing, legendary radio stations. X-ROCK-80 (XEROK, Juarez/El Paso) was a 150,000 watt flamethrower heard everywhere west of the Mississippi. As the "morning guy" (Paul Leigh), I'd get request calls (in El Paso) from Oregon, Canada, California, North Dakota, etc. at 8 am. To do that today, it takes a satellite network (or the Internet). WLOB Portland, Maine was one of the highest-cumed radio stations anywhere in 1973 and 1974. Then, there was KRUX, Phoenix and WAVZ, New Haven. In 1977, when FM was really coming to life in a big way, I was doing mornings at WIVY (Y-103) in Jacksonville, the station that fed The Big Ape AM its last meal! Afterwards I did a stint at WHBQ, Memphis, where I worked with some of the best radio folks ever. After RKO in Memphis, there was KULF Houston, and in the late 80's, a short return to radio at WWMX in Baltimore. From 1970 to 1980, I was privileged to have met and interviewed dozens of celebrities. Only a few tapes of those moments are still around. I always felt the DJ part was rather easy — but an interview — now that was quite a challenge. Instead of bringing the entire format of the radio station to a screeching halt by stopping the music to talk with a celeb, I worked at making the celebrity an element of the format. This kept the integrity and consistency of the station's music format with a unique celebrity appearance. Fortunately, through friends, I have acquired some tapes of those memories." |
The Repository thanks Paul Mayer (and his friends) for sharing!
What can I say about such a phenomenal radio station? This is where I first worked with the legendary John Long (or, as some of my Mexican friends in a certain classy night spot in Juarez call him: Señor Juan Elargo.) John and I seemed to hit it off from day one. X-ROK 80 was a great-sounding radio station in 1974, and all the credit goes to John.
[From Uncle Ricky] In addition to Paul Leigh (Mayer), this composite includes John Long, Jay Walker, Charlie Fox, and Chris O’Conner. The exhibit, received on CD by REELRADIO, included the tape squeal which appears on the Long and Walker airchecks. I was unable to remove it withiout deleting the original content of this exhibit, so it remains here.

