The John Quincy Collection

John Quincy on WEKY, Richmond KY, 1972 (Age 17)  John Quincy on WEKY, Richmond KY, 1972 (Age 17)

John Quincy on WAXU, Georgetown-Lexington KY, 1979 (Age 24)
John Quincy on WAXU, Georgetown-Lexington KY, 1979 (Age 24)

John Quincy on WSSX, Charleston S.C., early 80's
John Quincy on WSSX, Charleston S.C., early 80's

The Legendary Big Ron O'Brien and John Quincy, R&R Convention, early 90's
The Legendary Big Ron O'Brien and John Quincy, R&R Convention,
early 90's

Even though he was born 15 years earlier, Lexington, Kentucky native John Quincy (a.k.a. Ted Tatman) didn't really discover Top 40 radio until he smuggled in a transistor radio to his church camp outside of Louisville in the summer of 1970. After a few hours of listening to the legendary WAKY in his dorm room, he caught the radio fever. Upon his return to Lexington and a visit to local AM-ers WVLK and WLAP to find out how radio stations really performed that on-air magic, he was hooked.

Luckily, an English teacher at his high school told him about a Junior Achievement program being sponsored by WVLK-AM. Every Wednesday night, WVLK would turn over a half hour of their programming to high school kids, who would sell, operate, and program it. Quincy made sure he was one of the ones chosen to be one of the teen DJs.

Between his junior and senior year Quincy scored a summer job working seven days a week at WBGR AM & FM in Paris, Kentucky. Most of the time was spent running Cincinnati Reds baseball games but for a little while each shift he got to play DJ. It was country music (which was especially bad in the early 70s) but it was radio. From that point, Quincy never looked back.

There were stints in other Lexington area radio stations (WEKYWAXUWCBRWKDJ, and WBLG) before Quincy got the call in 1979 to escape Lexington's awful winters and work in sunny Savannah, Georgia (WKBX and WZAT). Then in 1981, Quincy moved up the coast to Charleston, SC to take on PM drive duties at WSSX. Later Charleston gigs included AC WXTC (where he spent nearly 10 years as PD), All 70s WJUK, Country WBUB, and Oldies WXLY. Subscribers to Tom Konard's Aircheck Factory service might remember John Quincy as one of the narrators of "Around The Dial" and various profiles.

Today Quincy is the assistant program director and morning producer at News/Talker WTMA in Charleston. Along with his radio work, he creates and maintains Web pages plus does regular mobile DJ gigs.

The Repository thanks John Quincy for sharing!

Scoped
… a lot of just plain old lousy feeling – especially after the holidays …

[Description by Uncle Ricky, contributed by John Quincy]

Red Jones courtesy GRHOF

Red Jones was named one of America’s top PDs by the Gavin Report while working in Houston for Gordon McLendon at KILT. Red started at KILT in 1956.
Here, he is heard as Assistant Manager, Program Director, and morning man at WQXI, Atlanta, on January 4, 1965. Red is a 2008 Career Achievement Inductee at the Georgia Radio Hall of Fame.

It’s the original Atlanta Tiger, with the Money Match game and the Animal Crackers game, and lots of chances to win! George T. McIntire is featured with both news headlines and a slightly truncated ten minute newscast that swept the 8AM hour from 7:55 to 8:05.

Unscoped
… a lot of just plain old lousy feeling – especially after the holidays …
[Description by Uncle Ricky, contributed by John Quincy] Red Jonescourtesy GRHOF Red Jones was named one of America’s top PDs by the Gavin Report while working in Houston for Gordon McLendon at KILT. Red started at KILT in 1956. Here, he is heard as Assistant Manager, Program Director, and morning man at WQXI, Atlanta, on January 4, 1965. Red is a 2008 Career Achievement Inductee at the Georgia Radio Hall of Fame. It’s the original Atlanta Tiger, with the Money Match game and the Animal Crackers game, and lots of chances to win! George T. McIntire is featured with both news headlines and a slightly truncated ten minute newscast that swept the 8AM hour from 7:55 to 8:05. The first three songs were restored.
Scoped
… here’s some panty hose soul …

[Description by Uncle Ricky. Contributed by John Quincy]
Another wonderful high-fidelity sample of The Voice Of Labor, featuring Jerry Kay, who passed away on September 25, 2005. Kay (real name Jerry King) also worked at KOL and KJR in Seattle, as well as WLS in Chicago. On this Friday, May 5, 1972, Jerry is smooth and friendly.

This is another studio recording of WCFL made by the station’s Production Manager, Tom Konard.

Unscoped
… here’s some panty hose soul …

[Description by Uncle Ricky. Contributed by John Quincy]
Another wonderful high-fidelity sample of The Voice Of Labor, featuring Jerry Kay, who passed away on September 25, 2005. Kay (real name Jerry King) also worked at KOL and KJR in Seattle, as well as WLS in Chicago. On this Friday, May 5, 1972, Jerry is smooth and friendly.

This is another studio recording of WCFL made by the station’s Production Manager, Tom Konard.

Introduction by Uncle Ricky This is a GREAT aircheck of John Driscoll on WCFL – early in 1976. We all know ‘CFL was gone as a Top 40 station on March 15, 1976. He’s having a lot of fun on this one. Did he know the end was near? Contributor John Quincy labeled this contribution as “1976”, and, the last song on this aircheck didn’t debut on Billboard until February 7, 1976. Otherwise, most of the music is from late 1975. But, there is no mention of any holiday, so it’s obviously several weeks into 1976. This studio recording originated from Tom Konard’s Aircheck Factory.
Unscoped
… Aftra Midnight …
Introduction by Uncle Ricky This is a GREAT aircheck of John Driscoll on WCFL – early in 1976. We all know ‘CFL was gone as a Top 40 station on March 15, 1976. He’s having a lot of fun on this one. Did he know the end was near? Contributor John Quincy labeled this contribution as “1976”, and, the last song on this aircheck didn’t debut on Billboard until February 7, 1976. Otherwise, most of the music is from late 1975. But, there is no mention of any holiday, so it’s obviously several weeks into 1976. This studio recording originated from Tom Konard’s Aircheck Factory.
Scoped
… This is the way I make my living …
[Description by Uncle Ricky, contributed by John Quincy] It wasn’t too difficult to date this one. In addition to lots of classic PAMS, there’s a custom jingle for the date! It’s the first working day of the New Year of 1965, and Sam Hale is playing the hits on Quixie in Dixie while taking votes for the Housewives’ Hit Parade. George T. McIntire offers sports and news. There are a couple of musical rarities and the aircheck concludes with the perfect “last word”. WQXI is giving away an outhouse, but there are two additional contests underway, a New Year’s Resolution contest, and a Money Match game. $79 seems like an appropriate prize from Audio 79. And it’s a shame that cigarettes turned out to be so deadly. There are two Winston spots and that jingle is one of the best, ever. Sam was a 2010 Career Achievement Inductee at the Georgia Radio Hall of Fame. He passed away in August, 2015. He was 78. Two songs were restored.
Unscoped
… This is the way I make my living …
[Description by Uncle Ricky, contributed by John Quincy] It wasn’t too difficult to date this one. In addition to lots of classic PAMS, there’s a custom jingle for the date! It’s the first working day of the New Year of 1965, and Sam Hale is playing the hits on Quixie in Dixie while taking votes for the Housewives’ Hit Parade. George T. McIntire offers sports and news. There are a couple of musical rarities and the aircheck concludes with the perfect “last word”. WQXI is giving away an outhouse, but there are two additional contests underway, a New Year’s Resolution contest, and a Money Match game. $79 seems like an appropriate prize from Audio 79. And it’s a shame that cigarettes turned out to be so deadly. There are two Winston spots and that jingle is one of the best, ever. Sam was a 2010 Career Achievement Inductee at the Georgia Radio Hall of Fame. He passed away in August, 2015. He was 78. Two songs were restored.
Scoped
… You’re making it, with Barney Pip …
[Description by Uncle Ricky. Contributed by John Quincy] This must have been close to the end of Barney Pip’s long tenure at WCFL. Obviously spooked by WLS, Big Ten was tightening up — so much so, that Pip sounds like he “phoned this one in”. There’s no trumpet playing or clever patter, just lots of live spots. Barney gets in and out quickly. And, even though it’s nearly 2AM in the morning, there are two newscasts, delivered by John Ganas. This is another high-fidelity studio recording of WCFL made by the station’s Production Manager, Tom Konard.
Unscoped
… You’re making it, with Barney Pip …
[Description by Uncle Ricky. Contributed by John Quincy] This must have been close to the end of Barney Pip’s long tenure at WCFL. Obviously spooked by WLS, Big Ten was tightening up — so much so, that Pip sounds like he “phoned this one in”. There’s no trumpet playing or clever patter, just lots of live spots. Barney gets in and out quickly. And, even though it’s nearly 2AM in the morning, there are two newscasts, delivered by John Ganas. This is another high-fidelity studio recording of WCFL made by the station’s Production Manager, Tom Konard.

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum