The Don Kent Collection

Don Kent at KWIZ, 1967
Don on Oldies-formatted KWIZ, 1967 Don Kent at KNX, 1972
Don Kent on the board at KNX, 1972

Don Kent taking transmitter readings at KFWB, 1973
Don Kent taking transmitter readings at KFWB, 1973

Don Kent in the KTLA-TV control room, 2004
Don Kent in the KTLA-TV control room, 2004
Don Kent at CBS Central Control, 1972
Don Kent on the Pacific Network Switcher in CBS Central Control on the first floor of the CBS Radio building in Hollywood. This is the switcher that controlled all the network traffic during the heyday of live radio. It was still in use in the '70's. The CBS Network was "reversible", that is, programming could originate from any O&O station on the network.

Don Kent graduated high school in early 1964 and writes:"I had NO idea what career path to take. During my Senior Year I browsed through several college catalogs and came across "broadcasting" at Los Angeles City College. That sounded like fun. Besides, my dad had been in radio during WWII and it was sort of like following in his footsteps; well, kinda! I did pretty well at it, getting straight A's and a place on the Dean's List, so I figured that I'd found my "calling".

Back in those days I collected a bunch of aircheck tapes from my, then, favorite stations. I studied the techniques for school, but I just liked listening to them, too. Eventually, I connected with others who had done the same and we traded.

While I was still in school I took a job doing the news part-time at KBLA in Burbank, CA. That was in 1965. It worked into a job offer from KWIZ AM/FM, Santa Ana, which, so far as I know, was the first all-oldie station anywhere.

That ended in 1969 and I returned to the station in Burbank, which was now KBBQ (Country). I HATED the Country format, but by then I had a wife and son and I needed the job (didn't have to turn the monitor up, though!).

The P.D. from KLAC, Los Angeles, heard me on the air and offered me a job at his station. Needless to say, I took it. After several months I switched over to the Engineering Department there. The station was co-housed with KMET-FM and I did Production-Engineering for both.

In 1970 I moved over to KFWB, Los Angeles, as a Production Engineer. A couple of years later I briefly moved to KNX/CBS but didn't much care for it and returned to KFWB, where I stayed until 1979. That's when I moved over to television, where I did freelance audio work (common in that business) for a short time.

That led to a staff offer from KTLA-TV in 1980. I started there doing "doofus work", but moved up the ladder to the position of Senior Engineer and later Crew Chief.

Since moving to television my aircheck interests switched to restoration of early videotape recordings. I did all the restorations for the UCLA Film and Television Archive between about 1987 and 2002. In 1988 I won a Primetime Emmy for restoring the earliest television show recorded on color tape; "An Evening With Fred Astaire" (1958). Since then I have done several others, including The Nixon-Krushchev "Kitchen Debate" for the Library of Congress. I'm real proud of how those early shows turned out.

Many years ago I collected rock 'n' roll records, but the "sound" changed from what I liked and I hung that up. I still have about three thousand records from back then though.

In the intervening years since college, I just put those old aircheck tapes on a shelf in the garage. I haven't listened to them since the early 70's but they still sound pretty good, so enjoy!

The Repository thanks Don Kent for sharing!

… . . . There were only two high schools in this vast city of St. Louis for my, uh, particular specimen . . . …

[Description by Uncle Ricky from notes by contributor Don Kent]

Here’s Hour Two of the First and Original History Of Rock And Roll hosted by Robert W. Morgan, the Ultimate Narrator for the debut presentation of what is arguably the greatest Special Feature of the Top 40 era, and the first Radio Rockumentary.

Originally broadcast from 1PM-2PM on February 21, 1969, and recorded by contributor Don Kent, this program defined all the programs that followed. It was the first, conceived and produced by Ron Jacobs, The original Boss Radio Boss. Following the unprecedented success of this legendary broadcast, Jacobs left KHJ later that year.

An interesting comparison for the REELRADIO faithful is the Ray Charles segment that opens this hour and the WNAP Indianapolis Salutes Ray Charles, 1970 exhibit.

This original KHJ Hour includes Gene Weed for Ford, and early R&B superstars Clyde McPhatter, Chuck Berry, The Coasters, Mickey and Sylvia, The Rays, Billy Ward and His Dominoes, and a few mid-charting rarities.

… Ladies and Gentlemen, The History of Rock and Roll, a hundred and thirty-six seconds from now …
[Description by Uncle Ricky from notes by contributor Don Kent]Scotty Brink opens this exhibit, and Bill Drake introduces the special hosted by Robert W. Morgan, the Ultimate Narrator for the debut presentation of what is arguably the greatest Special Feature of the Top 40 era, and the first radio rockumentary. This program defined all the programs that followed. It was the first.

This is the opening hour for the 48-hour special, broadcast Friday, February 21, 1969. It was conceived and produced by Ron Jacobs, The original Boss Radio Boss.

Following the unprecedented success of this legendary broadcast, Jacobs left KHJ later that year.

This REELRADIO exhibit was recorded off-air by contributor Don Kent.

… Number One for Rhythm and Blues …
[Description by Uncle Ricky from notes by Don Kent] Contributor Don Kent says these brassy, polished jingles feature The Ray Charles Singers. Wow! We’re just happy to present these outstanding jingles created for long-time R&B leader KGFJ in Los Angeles, circa 1964. Outstanding fidelity contributes to the excellent listening experience of this exhibit, processed and presented for your online enjoyment. There’s no question that the powerful orchestration and precision vocals of this package put KGFJ in the same jingle class as KFWB and KRLA in 1964. This was top-flight stuff! ©1996 – 2013 REELRADIO, Inc.
… The honeymoon is over, when the alimony begins …

[Description by Don Kent]

This one was recorded at KFWB, at the station, rather than off-the-air.

I copied this from Bill Ballance’s personal tapes. Great Stuff! “Bill Boy” was my all-time favorite D.J.

Bill Ballance died at home Thursday, (September 23, 2004). He was 85. The Associated Press reported that his son, Jim, said Ballance had been in failing health since undergoing quadruple bypass surgery and suffering a stroke in June 2002. Ballance was born in Peoria, Ill. in 1919. He studied journalism at the University of Illinois and served in the U.S. Marines, and worked at radio stations in Los Angeles, San Francisco, Denver and Hawaii. Ballance’s “Feminine Forum” became one of the most popular radio shows in Los Angeles within a year of its 1971 debut on KGBS-AM. The program was considered a forerunner of modern “shock jock” shows.

Bill Ballance, KFWB

… the blood isn’t even dry on the contract yet. And all I can say is that all that I am or ever hope to be, I owe …
REELRADIO pays music licensing fees to present unedited music online. If you enjoy full-length airchecks like this one, your tax-deductible contribution to our operating fund will help keep this and other “unscoped” exhibits available. [Description by Don Kent] I was able to borrow personal tapes from Bill Ballance (1919-2004) when he was doing The Feminine Forum at KGBS. I don’t know how Ballance came by this tape. It’s not the best quality I’ve ever heard, but it’s not that bad, and it IS nearly a full hour. Charlie Arlington (d. 1989) is included with the famous first-person news delivery. This aircheck shows why Ballance was called the “Quip Jockey”. ©1996 – 2004 REELRADIO, Inc.
… You goof up like that again, and I’m gonna push the down button on your elevator shoes …
[Description by Uncle Ricky. Contributed by Don Kent] Larry McCormick (d. 8-27-2004) grew up in Kansas City, played semi-pro baseball and loved tennis, but he made his mark in Los Angeles, first on R&B KGFJ and in 1964, as the first African-American host on KFWB. McCormick joined KTLA-TV in 1971, and over 30+ years as a television journalist, he organized or emceed more than 2,100 programs to benefit the community. He won numerous awards for his professional and community work, including the “Governor’s Award”, the highest annual honor presented by the Academy of Television Arts and Sciences. He also has a star on the Hollywood Walk of Fame, and appeared as a TV Newscaster in more than 80 theatrical and TV movies. He was 71 when he passed as a result of cancer-related illness. Contributor Don Kent wrote about this aircheck: “This Larry McCormick KFWB aircheck came from early in his radio career there. It’s the overnight show, which is where he started. He was only in his very early thirties then. His on-air sound got much more polished in later years. He moved to various timeslots around the day at KFWB and was quite acceptable at all. I worked with Larry for almost a quarter-century. He was always professional and polished. He once told a bunch of us KTLA Techs, on the set one night, that if you’re going to be in mass media you should speak clearly and with no discernable dialect. All things to all people, you know? Old School. He’ll be missed!” Reb Foster is closing his show at the beginning of this exhibit. KHJ was yet to debut “Boss Radio” when this aircheck was recorded. ©1996 – 2004 REELRADIO, Inc.
… . racing, racing toward tomorrow, in a mad rush to escape yesterday …
[Description by Contributor Don Kent] This is the last Lohman and Barkley Show before KFWB switched to All-News. They end on the half-hour. They are followed by a special, Flight 98 (begins at 23:53 on this exhibit.) It aired several times the week of the changeover. I didn’t understand it then, and I still don’t! Lohman and Barkley KFWB Flight 98, March 8 1968 ©2004-2008 REELRADIO, Inc.
… You know what I mean – I think! …
Bob Foster [Description by Don Kent] KFRC was one of the top-rated Bill Drake programmed RKO-General stations that started Boss Radio in this country. Bob Foster was recorded on the evening of August 13, 1971. ©1996 – 2012 REELRADIO, Inc.
… Hey Mr. Bossman, give us your ear, we have a person sitting on their – porch They need a job, like starting today, here is our latest confidential resume …
[Description by Don Kent] This was the first set of jingles used after KBLA was granted a power increase from 250 watts to 10,000 watts (and a 10kc shift up the dial.) They were better off before! Good jingles, but no one could hear them. ©1996 – 2004 REELRADIO, Inc.
… . . . The brand new one that people are flipping over, all over the country . . . The Gorman Sisters and this one called “The Chipmunk Song” . . . …

[Description by Don Kent]

This one was recorded at the KFWB studios; not off the air, and is a copy of Gene Weed’s personal tape.

The News staff was apparently off that night, as Gene does his own news. There’s a story about Julie London and Bobby Troup’s impending wedding, and another about senator ‘HERBERT’ Humphrey of Minnesota that are interesting to hear now.

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum