The Don Blesse Collection


Don Blesse, Youthful DJ, 1973
Christmas 1963: A gift of a little red Japanese transistor radio with a black leatherette case was the root cause of my lifelong dementia. A friend who had also had received a similar gift told me about this great radio station he just discovered.... WABC. I was hooked! The music... legendary deejays like Dan IngramScott Muni"Cousin" Bruce Morrow... and those great PAMS jingles.
Growing up in Central New Jersey, we got to hear New York radio up close and personal. For most of my youth, it was WABC that ruled, but there the other legendary stations, and, if you were willing to brave a little static, you got to hear the battle between WFIL and WIBG down in Philly. At night, other legends: WKYCWLSWCFLWPTRWKBW, and CKLW skipped their way into my radio.After a year's worth of hanging around and doing gofer work at our local radio station, I got my first paying radio job in the summer of 1972, making a whopping $1.25 an hour, doing weekends at MOR/Easy Listening WRLB-FM (Now WWZY) in Long Branch, N.J. Later that year, I went off to Ohio University in Athens, Ohio where I learned that at OU's School of Radio-Television, there were dozens of other radio geeks that were similarly hooked. During my years at OU, I became an avid jingle and aircheck collector.

While finishing up my degree, I signed on as AM drive jock at Full-Service MOR WATH in Athens. After six months, I was deemed by station management to be "not ready for drive time" and got what Bill Drake once referred to as "The inevitable Batphone call" (read: "You have been terminated!"). Figuring it paid more than unemployment, I "temporarily" took a sales position up the road at WXIL-FM Parkersburg in the fall of 1976. I moved on in the summer of 1977 to a sales gig, and later sales manager at WQIO (now WILB) in Canton. Just prior to the station's sale, I got the Batphone call again, and made the move to Cleveland and a sales job at WJW (now WKNR).

Since 1985, I have been in varying sales and sales management positions at 50kw News/Talk WTAM Cleveland (formerly WWWE). I'm happy to be "just a salesperson" these days of consolidation.

The Repository thanks Don Blesse for sharing!

… What have you done for Altoona? …
[Description by contributor Don Blesse]
As a jingle collector for almost thirty years and an aficionado for even longer, I’ve noted over the years the myriad of jingles produced for radio stations about the communities in which they’re located.
This collection highlights some of the better examples. The long and the short — from the 50’s to the present — from the serious to sublime — and from the various production houses that existed over the years.
One of the more ambitious early projects was PAMS Series 16 “Sound Of The City.” This 1960 package sought to link the station to the community it served. It also featured a record-length song about the city which some stations added to their song rotations and distributed as 45 rpm records. KNUZ in Houston sold over 4,000 copies in a week!
The genre flourished during the mid-60’s with some memorable songs from the likes of Sande & Greene, Chuck Blore, and Hugh Heller. While 70’s radio was generally characterized by short jingles or none at all, projects like TM’s Sound Of Chicago and Listen To Your City and JAM’s I’d Rather Be… series kept radio listeners singing about their towns. The songs have kept on coming and you’ll hear works from the 80’s and 90’s as well.
The final cut is a custom cut done by JAM in 1979 for WYNY New York. By length and production value alone, it would have already been a contender as the grand finale. The events of September 2001, however, make it a particularly appropriate ending for such a compilation.
Thanks go to Mike Neff, Mark Biviano, Bill Schenold, Kevin Slater, and others who have contributed material over the years that went into this collection, as well as Tom Corbett and Jonathan Wolfert who assisted in identifying some of the cuts.
The audio quality varies. Some cuts are first generation dubs from the masters or digital clones from CD. Others show the effects of multi-generation dubbing, magnetic tape deterioration, or simply the archaic recording technology of their time. We hope you’ll forgive a little harmonic distortion here and there.
STATION/CLENT MARKET PRODUCER PACKAGE
Cleveland Broadcasters Cleveland Chuck Blore custom
KBOX Dallas PAMS Series 16
WCFL Chicago Chuck Blore Encore
WABC New York PAMS Series 33A
WWWE Cleveland PAMS Smilin’ Thru
KGW Portland PAMS Series 28X
WPRO Providence PAMS Series 47
WMID Atlantic City PAMS Series 22
KNUZ Houston PAMS Series 16
WTVN Columbus TM Sound Of Chicago
WSPD Toledo MusiCreations Voice Of The City
WCFL Chicago Chuck Blore Encore
CKGM Montreal JAM I’d Rather Be 2
KNX Los Angeles Chuck Blore custom
WKBW Buffalo JAM Pro Radio
KHOW Denver JAM We Love You
KYA San Francisco Chuck Blore Encore
WGY Schenectdady JAM I’d Rather Be In Denver
KDKA Pittsburgh TM BZ ’73
WIND Chicago Heller custom
WHDH Boston TM Boston Is Beautiful
WPLJ New York TM/Century Big Time Radio
WHEN Syracuse PAMS Winter
WMGK Philadelphia JAM The Magic Is The Music
KIMN Denver JAM I’d Rather Be In Denver
WCBS-FM New York Chuck Blore custom
KIIS Los Angeles PAMS Kiss ’70
WHN New York Heller custom
WBT Charlotte PAMS Series 34A
WNDE Indianapolis JAM Windy Songs
WCFL Chicago TM Charisma
WLW Cincinnati Heller custom
WNEW New York Sande & Greene custom
Ohio Historical Society Columbus TM custom
WDAE Tampa TM ?
WBZ/WBZA Boston/Springfield CRC ?
WNBC New York PAMS custom
KYW Cleveland Sande & Greene custom
KSD St. Louis Tanner Spirit Of
Altoona Growth Assn. Altoona, Pa. PAMS Series 29
KNBR San Francisco PAMS custom
WIBC Indianapolis Heller custom
WDEE Detroit Heller custom
KOST Los Angeles JAM Coastlines
WESA Charleroi, Pa. TM Sound Of Chicago
WCOD Hyannis, Ma. Tanner Simple & Free
KSFO San Francisco Heller custom
KIMN-FM Denver JAM Best Mix In Denver
WFLA Tampa PAMS Series 40
WGAR Cleveland PAMS Series 20
WBZ Boston Heller custom
WNBC New York TM Design ’72
WKYC Cleveland Chuck Blore Encore
WCBM Baltimore JAM Special Touch
WXYZ Detroit TM Design ’70
WABC-FM New York PAMS custom
WOWO Ft. Wayne TM custom
KGUM Agana, Guam JAM I’d Rather Be 2
KFMB San Diego TM Listen To Your City
WPLJ New York TM/Century Big Time Radio
WLOF Orlando PAMS Series 39
WINN Louisville PAMS Series 30
WIND Chicago Heller custom
WNEW New York PAMS custom
KYA San Francisco PAMS custom
WDRC Hartford Roy Ross custom
WIRO Ironton, Oh Pepper-Tanner Now Sound
WGH Newport News PAMS Series 34C
KOL Seattle TM Ahead Of Its Time
KRLA Los Angeles Chuck Blore Encore
WNEU Wheeling TM Beat Goes On
WNIC Detroit JAM It’s Nice
WYNY New York JAM custom
… from the only station BIG enough to make it happen …
You may recognize the story: A 5,000 watt Ohio family-owned radio station perennially finishes last in the ratings. Tired of losing for over thirteen years, the general manager (who happens to be the son of the owner) hires a hotshot out-of-town program director to take the station Top 40 — and turn it around. This all happened in the fall of 1976Â… two years before WKRP In Cincinnati hit the small screen. It was WQIO in Canton, Ohio — a 5,000 watt daytime-only radio station that managed, in eighteen months, to take the station’s share from a 0.5 to a 7.0 — up against entrenched local competition and also in the shadow of such legendary Cleveland signals as WGAR, WWWE, and WMMS. This little station had a major market sound with a minor league budget while attracting a fair amount of national attention during a four-and-a-half year run. With a new FM competitor in town, here’s Q-10’s attempt to hang on during the waning days of AM Top 40 radio.
… I’ve got a problem, you see, I want to work for TM …
In the mid and late 70’s, Ken Justiss was one of the creative forces driving TM Productions and then he went on to be one of the founders of FirstCom. Now, hear the audition tape that got Ken the gig right out of college. It showcases Ken’s editing prowess, as well as his home-brew Sonovox and Moog work. This tape was rumored to have been done in Ken’s basement using home equipment.
… It’s on tape, guys …
Back in the heyday of PAMS, the production guys would put together a collection of outtakes, bloopers, and other off-the-wall humor for playback at the annual company Christmas party.

Here is the 1972 edition. Among other things, you’ll hear some great outtakes, including an impromptu U.S. Army “Go AWOL” jingle and a disastrous attempt by Dallas’ finest vocal professionals attempting to sing “Happy Birthday” in thirteen takes or less. Also included is an aircheck of WABC’s Dan Ingram playing a medley of his jock jingles, the “real” story of Bill Meeks’ return to college, and the musical answer to the question, “What does a Scotsman have under his kilt?”

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum