The Dave Saviet Collection

Mr. David Saviet

A Yellow SUN record  Not just any yellow SUN record . . .

CQ CQ

Dave Saviet began his career in broadcasting at WRKL, a 1KW daytimer in Mt. Ivy, New York, in the mid '70's.

Since 1978, Dave's been busy as a technician for the CBS Network in New York City. He says he's been fortunate to have worked with the best in the business, like Charles OsgoodCharles KuraltDoug EdwardsDan Rather and many others. He engineered Walter Cronkite's 20th Century for a number of years and worked with Dan Ingram and Cousin Bruce Morrow, to name a few.

Moldy Oldies!

In addition to the impressive collection of airchecks that Dave is sharing with Repository visitors, he also collects classic 45's and QSL's. Dave says that in his years with CBS he's had so many wonderful assignments that it would take a book to list them all. He also says that he has been very fortunate to not to have moved all over the country, like many broadcasters.

We are very fortunate to have Dave's collection available in the Repository. Thank you, Dave!

[Descriptions by Uncle Ricky]

… the curly-headed kid in the third row …

In the opening hours of 1960, just a few months before a May 1960 grand jury indictment on charges of accepting payola, Peter Tripp hosted “The Fabulous Forty of 1959” on WMGM, New York City.The smooth-talking Tripp, who later worked at KYA and WHN, passed away January 31, 2000.

I was surprised at the consistent formatics in this rare aircheck. Note the WMGM “time chime” jingle – which followed every record! Years later, that formatic was to appear again at WABC.

… . . . this song has a long intro. I don’t think I’ll talk up to the vocal . . . …

Steve O’ Brien was filling in for Ted “Bear” Richards on this Solid Gold Weekend in 1974.
Much has been written about “The Big 8” (mostly at Jack Decker’s Classic CKLW Page) and every complimentary word is true. Masterfully engineered, always powerful and perfectly polished – this monster station was some of the best American Top 40 ever imported from Canada!

The Big 8 and O’Brien sounded great together.

… Cloudy, with drizzies tonight, gang – uh oh – but it’s not gonna impede our quest for adventure in the neon fun jungle on a fractious Friday night …
The Real Don Steele sets the pace for a Fractious Friday in L.A. in February, 1970. This ‘check is a fine example of the kind of infectious, unforgettable and consistent energy in which Steele excelled.While this Fractious Friday ‘check ends after the 5PM ID, and before the Steele Sign Off, it does include a promo for KHJ’s Heavy Wheels contest, with the prize being a “hard-hummin’ street burner” – a 1970 Pontiac Firebird. All you had to do was guess the total weight of the car, filled with a “stash of coin cash and all the Boss Jocks.”

 

… . . . from the top of the Gorilla building . . . …

WHTZ (Z-100) and The Morning Zoo inspired many (mostly inferior) imitators in the 80’s, but none came close to the professionalism and creative genius of the original. This composite was a 1985 Billboard Magazine Award winner.
Some were under the impression that all you needed for a “Morning Zoo” was a crowd of people in the control room every morning, but Scott Shannon, Ross Brittain and the other (often celebrity) participants in the Z-100 Zoo set new (sometimes shocking) standards for mass-appeal music morning shows.

… . . . it’s clear that radio must re-direct itself, or ultimately a Buzz Bennett will arrive and re-direct it . . . …

This somewhat verbose (but enjoyable) presentation was obviously created to showcase the success of Buzz Bennett and KCBQ, San Diego. It could rightfully be considered a “mini-history of popular music radio” as it attempts to define the “secrets” and formatics of “Drake” and “Progressive” Radio.In 1971, it was easy to disparage the original production elements of Top 40, and the narrators bash many of them, and then proceed to provide a short-form bio of Bill Drake, and his “well-oiled machine”.

Beginning with a decade of Los Angeles radio including KFWB, Bill Ballance, KRLA, Dave Hull, KHJ, Robert W. Morgan, Frank Terry, and Mike Turner on “underground” KMET, it concludes with Rich Brother Robbin and Shotgun Tom Kelly on KCBQ, San Diego.

The authors of this exhibit were identified within minutes of the opening! Ken Levine and Billy Pearl are responsible, and the initial report of authorship is available via COMMENT. (Thanks, Ken!)

… . . . you made it all possible with your record purchases . . . …
Alan Freed, “The King of the Rock ‘n’ Rollers” is featured on New York City’s WINS, February 12, 1955.The music on this aircheck is rarely heard these days. These are the genuine roots of rock – the “Blues and Rhythm” records that Freed, and later, Murray the K, “crossed over” into the mainstream. You’ll hear him use the word “original” more than once – a reference to cover versions by white Pop artists that were getting airplay on more traditional music stations of the day.

It was also common for Freed to identify the label of each record he played. A few years later, Freed and others were branded as criminals because they took “pay for play”. What seemed like a terrible transgression against the “public interest” then pales in comparison to today’s mega-monopoly ownership of the airwaves.

… . . . uh, what’s a radio program? . . . …

This fast-paced montage of various New York City radio stations and personalities was originally assembled by Peter Mokover of Spectrum Research. Peter wrote (see COMMENT) that he put it together as the audio portion of a multimedia presentation about radio that he did with Pete Fornatale (d. April 26, 2012) of WNEW-FM.
Included: Alan Freed Intro, Pre-Drake WOR-FM Jingle, Rosko, Jim Lonsbury, “Drake’s Big Town Sound”, Brother John, WABC-FM “Love” Format, Bruce Brown, American Contemporary News, Charles Edwards, WINS, Jim Donnely, WNEW, Dan Thompson WOR-FM 20/20 News, American FM Radio News, WMCA, WABC, WCBS-FM, WOR-FM, Charlie Greer (Dennison), Herb Oscar Anderson, Bruce Morrow on WINS (Coney Island Remote), WINS Jingle, Johnny Holliday, Jack Lacey, Napoleon XIV, Scott Muni & Cousin Brucie on Park Avenue (Dan Ingram Show/Beatles), PAMS Beatles Jingle, Dan Ingram, Arthur Van Horn (ABC News), Bob Lewis on WMGM, WABC, WABC-FM, WCBS-FM, WNEW-FM, WCBS-FM Jingle, Murray the K on WINS, Dave Herman, John Zacherle, WABC-FM, WPLJ-FM, Rick Sklar WABC News, WABC Super-Pickets Promo (AFTRA Strike), WMCA “Good Guys” Song, B. Mitchel Reed, WABC Principal of the Year, Cousin Bruce WABC Jingle, Bob Dayton’s ill-considered “Hiroshima” comment (his last day on WABC, forever), Roby Yonge WABC, Les Marchak WABC, Murray the K introduces Mad Daddy on WINS, WINS News intro, and Pete Fornatale on WFUV.

Of particular interest: Rick Sklar pressed into newscasting duties and the WABC Super Pickets Promo, during the 1966 AFTRA strike. (Portions of this composite were previously featured in the WCBS 1989 DJ Reunion.)

… One hundred and seventy year old recipe – that’s pretty gamey . . . You’re a fairy, aren’t ya? …
New York legend Dan Ingram is showcased in this composite of WABC from 1964 through 1968.In addition to the sets and promos featuring Ingram, you’ll hear lots of PAMS jingles, ABC News, Ingram’s very funny read of a clam spot, and a bizarre interruption of Howard Cosell. I can’t remember the story behind this unusual faux pas, but that’s why we have a COMMENT button.

 

Great Good Guy jingles that we’ve heard on the few airchecks (and simulations) of WMCA, produced by Johnny Mann, the creator of the memorable KHJ vocal blend. Brian Kay (see COMMENT, below) says they were pre-boss, created in 1963, two years before KHJ.
Of course these are PAMS jingles, and everyone’s all time favorite Series 18 Boomp-Ding! jingle leads the pack. You’ll hear some interesting mixes and lyrics not heard on demos or from previous sources.

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum