The Dave Saviet Collection

Mr. David Saviet

A Yellow SUN record  Not just any yellow SUN record . . .

CQ CQ

Dave Saviet began his career in broadcasting at WRKL, a 1KW daytimer in Mt. Ivy, New York, in the mid '70's.

Since 1978, Dave's been busy as a technician for the CBS Network in New York City. He says he's been fortunate to have worked with the best in the business, like Charles OsgoodCharles KuraltDoug EdwardsDan Rather and many others. He engineered Walter Cronkite's 20th Century for a number of years and worked with Dan Ingram and Cousin Bruce Morrow, to name a few.

Moldy Oldies!

In addition to the impressive collection of airchecks that Dave is sharing with Repository visitors, he also collects classic 45's and QSL's. Dave says that in his years with CBS he's had so many wonderful assignments that it would take a book to list them all. He also says that he has been very fortunate to not to have moved all over the country, like many broadcasters.

We are very fortunate to have Dave's collection available in the Repository. Thank you, Dave!

[Descriptions by Uncle Ricky]

… . . . Hitbound in the Big Town. . . …
Jim O’Brien (d. 1984) is featured in this composite of Boss Radio on FM in the Big Apple, just before his tours of duty at CKLW, KHJ and WFIL. O’Brien became a TV anchor in Philadelphia. He died tragically in a 1984 skydiving promotion. His daughter, TV actress Peri Gilpin, is known for her work on NBC’s Frasier.WOR-FM was where the Boss Sound became The Big Town Sound, and perhaps due to the multipath (some of which is showcased in this clip), did not survive as long as the “left coast” original. One must wonder – if “The Big Town Sound” had a 50KW AM in New York – would it have done as well as its 5KW sister in Los Angeles?

Did any current-day computer execs pay any attention to the spot to write “Computer, c/o WOR-FM New York”? They were IBM’s and UNIVACs, then – serious mainframes without even a hint of GUI, but you could make up to 8, 10, 12 thousand a year, (or more, thankfully), as a programmer, keypunch or console operator! It was many years later when expensive IBM “PC’s” running “MS-DOS” appeared in radio station offices. Also noteworthy is the promo for a recording contract with MGM, just 8 years earlier, the call letters of another NYC radio station. Who says things change faster these days?

Years before L.A was assimilated by acapellas, WINS had these vocal quickies. Don Worsham of the Media Preservation Foundation says these are from Futursonic, about 1959.
Rick Sklar wrote in Rockin’ America that WNEW was considered the first station with “disc jockeys” in New York, even before WINS. These may have been in use by other Metromedia stations of the period, including WASH and WIP. According to Bill St. James (see COMMENT, below), these jingles were produced by Larry Greene in Los Angeles.
These are wonderful old PAMS jingles for WMGM. They certainly don’t appear on the 1960 Peter Tripp aircheck hosted in this collection. Jay Marks says “mostly PAMS Series 17, The New Frontier which went into syndication in 1961 heralding the theme of the JFK presidency.” These were recorded sometime before the 2/28/62 change (back) to WHN, and were likely performed by New York Union-Proper vocalists, and not the traditional Dallas vocal group.
Of course these are PAMS jingles, and everyone’s all time favorite Series 18 Boomp-Ding! jingle leads the pack. You’ll hear some interesting mixes and lyrics not heard on demos or from previous sources.
Great Good Guy jingles that we’ve heard on the few airchecks (and simulations) of WMCA, produced by Johnny Mann, the creator of the memorable KHJ vocal blend. Brian Kay (see COMMENT, below) says they were pre-boss, created in 1963, two years before KHJ.
… One hundred and seventy year old recipe – that’s pretty gamey . . . You’re a fairy, aren’t ya? …
New York legend Dan Ingram is showcased in this composite of WABC from 1964 through 1968.In addition to the sets and promos featuring Ingram, you’ll hear lots of PAMS jingles, ABC News, Ingram’s very funny read of a clam spot, and a bizarre interruption of Howard Cosell. I can’t remember the story behind this unusual faux pas, but that’s why we have a COMMENT button.

 

… . . . uh, what’s a radio program? . . . …

This fast-paced montage of various New York City radio stations and personalities was originally assembled by Peter Mokover of Spectrum Research. Peter wrote (see COMMENT) that he put it together as the audio portion of a multimedia presentation about radio that he did with Pete Fornatale (d. April 26, 2012) of WNEW-FM.
Included: Alan Freed Intro, Pre-Drake WOR-FM Jingle, Rosko, Jim Lonsbury, “Drake’s Big Town Sound”, Brother John, WABC-FM “Love” Format, Bruce Brown, American Contemporary News, Charles Edwards, WINS, Jim Donnely, WNEW, Dan Thompson WOR-FM 20/20 News, American FM Radio News, WMCA, WABC, WCBS-FM, WOR-FM, Charlie Greer (Dennison), Herb Oscar Anderson, Bruce Morrow on WINS (Coney Island Remote), WINS Jingle, Johnny Holliday, Jack Lacey, Napoleon XIV, Scott Muni & Cousin Brucie on Park Avenue (Dan Ingram Show/Beatles), PAMS Beatles Jingle, Dan Ingram, Arthur Van Horn (ABC News), Bob Lewis on WMGM, WABC, WABC-FM, WCBS-FM, WNEW-FM, WCBS-FM Jingle, Murray the K on WINS, Dave Herman, John Zacherle, WABC-FM, WPLJ-FM, Rick Sklar WABC News, WABC Super-Pickets Promo (AFTRA Strike), WMCA “Good Guys” Song, B. Mitchel Reed, WABC Principal of the Year, Cousin Bruce WABC Jingle, Bob Dayton’s ill-considered “Hiroshima” comment (his last day on WABC, forever), Roby Yonge WABC, Les Marchak WABC, Murray the K introduces Mad Daddy on WINS, WINS News intro, and Pete Fornatale on WFUV.

Of particular interest: Rick Sklar pressed into newscasting duties and the WABC Super Pickets Promo, during the 1966 AFTRA strike. (Portions of this composite were previously featured in the WCBS 1989 DJ Reunion.)

… . . . you made it all possible with your record purchases . . . …
Alan Freed, “The King of the Rock ‘n’ Rollers” is featured on New York City’s WINS, February 12, 1955.The music on this aircheck is rarely heard these days. These are the genuine roots of rock – the “Blues and Rhythm” records that Freed, and later, Murray the K, “crossed over” into the mainstream. You’ll hear him use the word “original” more than once – a reference to cover versions by white Pop artists that were getting airplay on more traditional music stations of the day.

It was also common for Freed to identify the label of each record he played. A few years later, Freed and others were branded as criminals because they took “pay for play”. What seemed like a terrible transgression against the “public interest” then pales in comparison to today’s mega-monopoly ownership of the airwaves.

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum