The Bob Green Collection

Bob Green, 1963
Bob Green, 1963 WQAM Fabulous 56 Survey, Week beginning August 3, 1963
WQAM Fabulous 56 Survey, Week beginning August 3, 1963

Bob Green, 1967
Bob Green, 1967

Bob Green of Bob Green Productions in Houston was PD of WKNR, Detroit, a great and legendary Top 40 station. Prior to WKNR, he worked at WQAM in Miami, and after WKNR, he was PD at KULF in Houston. He has about 700 reels of some of the greatest Top 40 radio ever made - and Bob made a lot of it!

Bob says:

I began in radio in 1958, and I remember well how radio people would tell me... "now in MY day..." I promised myself that when I got to be the old guy, I'd NEVER say that to an aspiring radio personality. And, I've NEVER said it - but I THINK it all the time. I'm very glad I had the opportunity to work Top 40 in the sixties.

Bob's collection is particularly notable (and delightful!) for the focus on production elements and commercial jingles of the era. Bob has demos of his award-winning production online at the Bob Green Productions website, and he invites you to surf on in at your convenience.

There is simply no other way to thank Bob for these treasures than to say, Thanks, Bob!

… This is where WKNR Detroit was born… …

The Repository is honored to feature this aircheck from Bob Green on “One of the Great Storz Stations”: WQAM, Miami, 1963. It’s STUFFED with hot production. You’ll note the station was using a wide variety of jingles, and mixing logos. (I get misty when I hear the PAMS “Wonderful WQAM” logo.) But why did Miami stations WFUN and WQAM both have “accent” reverb? (The jock pushed a button to kick it into LOUD – Was this a Miami Vice?)

Also, interesting that both Miami stations had that SPECIAL reverb – It must have been a combination of tape loop and chamber (chamber chamber). [Update, 2003: Since writing this description in 1996, I have learned that the Storz stations used an oil-dampened reverb designed for a Hammond Organ – it created a delay with a tape-type “slapback” effect.]

You’ll actually hear a jingle for the real time – 12:23 in Miami. (How many of these did they have, I wonder?) Zing! What a feeling with a Coke! Settle back with a Del Monte Fruit Juice Drink or a Libby’s Tomato juice, and a snack from the convenience food company formerly known as Prince. What were the real odds of winning with a Money Matchbook, anyway? Won-der-full..W-Q-A-M! This is top-down sound, for sure!

… Gary Stevens – a brash, dynamic, Stand-up comic kinda sound that was a version of “shock radio” — in 1964 …
. This exhibit has mind-blowing fidelity for the vintage! It includes the classic reverb, time tone and formatics, but the famous WKNR PAMS “Dirty Robber” signature wasn’t adopted until 1965. The jingles are a blend of CRC and Ullman, as heard on the Bob Green 1964 exhibit. And whatever they were using to play those jingles – by golly, the machines were aligned and they are BRIGHT! Gary Stevens, of course, went on to be warmly remembered at Swingin’ Radio England, WMCA New York, and many other show-biz and management gigs. But he is certainly best known for a very successful career as a broadcast broker – he sold radio stations for a very good living, and he’s a righteous dude, even now.
… . . . This is a real collectors item. A quick history of radio jingles, 1957-1970 . . . …

This exhibit was originally presented in low-fidelity Real Audio 2.0 on May 12, 1996! On June 29, 2008, it’s been polished from the original reel contribution and processed with our OPTIMOD-PC, and re-encoded in 44 kbps Real Media v8. It sounds MUCH better! But don’t listen to this if your only interest in jingles is the Drake jingle series – there’s one reference to Drake in the entire 15 minutes. Otherwise, this is interesting research. If you’ve ever wondered about the origins of the classic PAMS sound of the 60’s, you’ll find this piece fascinating. It includes Bill Meeks himself (the founder of PAMS), performing in a 50’s jingle for KDNT, Denton, Texas.

This retrospective focuses on the late 50’s and early 60’s classics from WNEW, New York, and KFWB, Los Angeles (Channel 98! Color Radio!). There are many others, as well, including WABC before the familiar “Manhattan” logo was finalized, and even a few early TM jings – a remarkable collection, and strong evidence that much of the history of the radio jingle business was already written in 1970.

… …Rubbish. They got nothin’ else to do, them fellas .. …

A few promos that really define the 24 hour cartoon that was “Keener”. From unique promos, to cartoony ones – there are thousands of these, all produced on a full track Ampex.

… . . . Get the facts, first, always from . . . …

[From Uncle Ricky: We originally believed this one to be from 1963, but a COMMENT (from a dedicated baseball fan) presents a serious case for August 23, 1962.]

[Description by Bob Green]

A discussion on where TV news is headed had me think of this KXOK newscast from 1963. You have to have at least a smile on your face listening to this. The carefree abundance of the use of banks of Mackenzies and the overall approach has many people in stitches. This is how it was done at many of the Storz stations in the early sixties.

But, hey – wait a minute! Is this really so different than some local TV news in 1997? Instead of electronic and musical separators and purely showbizzy copy lines for each item covered – now it’s wild GRAPHICS – along with electronic and musical separators along with questionable showbizzy copy. We have it here with the NBC affiliate. BIG BOLD GRAPHIC for the BIG STORY: FIRE ANTS ATTACK DEFROCKED NUN!

It gives creedence to the old .. “What goes around, comes around.”

… . . . Thought you might enjoy some shtick we did for one of several Detroit stations that participated in the Motor City Radio Reunion held on April 25, 1998 . . . …

From Bob Green Productions, some promos for the 1998 Detroit Radio Reunion produced for Oldies 104.3.

… Here is an early WKNR aircheck from February or March of 1964 that I recently uncovered. We hadn’t started the “dirty robber” sig yet, and had a mix of CRC and Ullman jingles on the air then. …

Great technical quality on this wonderful, comfortable aircheck of Bob Green on WKNR.

… J. Michael Wilson Showtime …
Bob Green writes: “I’ve had several e-mails asking for some J. Mike Wilson stuff from my WKNR archives. I’m missing lots of material, but I did find a few minutes of him. He was our 10PM – 1AM guy – such a great talent – droll, fun, and heard here with his ‘pal’ Rodney the Wonder Rodent.”
… Big KEENER gonna treat you right …
Here’s a G2 reproduction of the classic PAMS Series 33 (aka “Fun”) as produced for Bob Green and WKNR in 1967. There’s a photo of the Series 33 demo box on the PAMS site. (All PAMS jingles are the copyrighted property of PAMS.)
… One-Three-One-Oh. That’s easy to remember …
Bob Green wrote: Dave Prince, courtesy The Detroit News. In moving my office, I found a few odd tapes as I packed things up. This tape is “odd” in assorted ways. It’s an off-the-board aircheck of Dave “Sangoo” Prince at WKMH (WKNR’s predecessor) in early 1962. Dave’s approach was quite different than most. The lack of reverb makes it evident that “something” was missing. The only “echo” was tape return echo – used as a gimmick, along with Dave’s trashcan, which you hear on occasion, slamming to the studio floor. With the exception of one cut from PAMS Series 18 (at the end), the jingles were the Ullman “Wonderful” series.

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum