The Bill Hennes Collection

Wild Willy at WHNC New Haven
Bill Hennes, aka Wild Willy Mitchell at WNHC, mid 60's.

Hennes, Bill Gable and Pat Holliday, 1998
Hennes, Bill Gable, CKLW and Pat Holliday, CKLW at the 1998 Motor City Reunion.

Bill Hennes Today
Bill Hennes today, relaxing at home near Wilmington, N.C.

Broadcast Consultant Bill Hennes experienced working in all disciplines of a radio station — from Account Executive and on-air personality to Sales Manager, National Program Director, General Manager and owner.

Hennes grew up in Detroit and started as a part-time DJ at WBRB, Mt. Clemens, Michigan in 1960. In 1963 he developed the character of Wild Willy for the 7pm-Midnight shift at WIBM in Jackson, Michigan. Following stints at WTRX and WTAC in Flint, Hennes took his Wild Willy act to WKLO in Louisville.

His first programming job was at WNHC in New Haven, Connecticut, about which Bill says,

"This was a great place to learn the programming craft. It was a very 'over-radioed' market. Most of the NYC stations, along with Bridgeport and Hartford were audible in New Haven, so it made for a most competitive programming challenge."

In the mid-70's, Hennes was the programming genius behind legendary Top 40 powerhouse CKLW, Detroit/Ontario. From there, he went on to make WMAQ Chicago the #1 country station in the nation. He left his mark of success on stations in Tampa, Indianapolis, Knoxville, and Philadelphia, to name a few.

Logo: Bill Hennes and AssociatesIn 1981, he founded Bill Hennes and Associates, a full-service broadcast consulting company.  All About Country Since then, he has consulted hundreds of clients, and is best known for his success with CHR and Country stations. Bill also operates an online trade magazine that connects country radio and music professionals: All About Country (www.allaboutcountry.com)

The Repository thanks Bill for sharing!

… I wish she wouldn’t go on with the rugby team like that …
[Description by Bill Hennes] This is a “very rare” aircheck of Mort Crowley on WDGY (a Storz station) from January 1965. The first portion is from about 6:35 until 7:45 AM. Beginning at 36:47, we hear a portion of the 8AM hour from another day. Mort was one of the very first Top 40 morning guys. He did time at WLS Chicago as the original morning man in 1960 — and he was on the original staff of WKNR, Detroit. This air check was supplied to me by my good friend Mike McCormick (the legendary former PD of WLS, KQV and WDGY.) Frank Roberts of Austin Texas did the editing.
… he picked up his genuine, Willie Mays, Powerized, Lightnin’ Strike Louisville Slugger baseball bat …
[ Description by Uncle Ricky, contributed by Bill Hennes ] This composite of CKLW 20-20 News features Lee Marshall and Grant Hudson who demonstrate all the legendary sensationalism of Classic Top 40 news — without the bells and whistles. Instead, we are treated to terribly clever writing and an Armageddon-like delivery of stories about horrible accidents, murders and rape. Such newscasts were an unforgettable part of the CKLW of this period.
… where we start ’em and chart ’em …
The stations that played Top 40 in Detroit in the late 50’s and early 60’s were
“low power” stations, so most of the country missed the experience of these smaller stations.But Detroit was right there at the beginning, and my first recollection of a Top 40 station in Detroit was WJBK, owned by Storer. It was one of the great Top 40 stations, home of the legendary Tom Clay who did nights as Jack The Bellboy.

Dave Shafer, courtesy The Detroit News.

Storer owned the rights to the “Bellboy” name, and over the history of WJBK as Top 40,
a number of different jocks appeared as “Jack the Bellboy”. This aircheck, from April 25, 1962, features Dave Shafer in the Bellboy role. Shafer passed away May 7th, 2006 from complications following sinus surgery.

Considering the age of this aircheck, the technical quality is outstanding, and you will hear lots of early PAMS jingles; “A WJBK News Flashback”, with the headlines from April 25, 1945; a promo for the NAB and “sister station” promos for WHN in New York and WJW in Cleveland – also Storer stations at the time.

Dave Shafer, Jack the Bellboy
WJBK was the first Top 40 station in Detroit, and this was the first set of jingles for “1500 On Your Sound Dial”. Later, WJBK used PAMS jingles, but these came first. The source of these was unknown when originally streamed in June of 1999. COMMENTS revealed they were custom jingles produced by WJBK in 1957.
… . . . Hi, my name’s Dan Ingram . . . …

If this is what we believe it to be, the legendary Dan Ingram used this as an audition tape, probably in 1958. Ingram joined KBOX in Dallas in 1959.

Featured: the “On the Dan Ingram Show” jingle (this one preceded the version heard later on WABC by several years), a few sets and a live spot from Dan on WNHC in New Haven. That’s followed by a short (and much more relaxed) composite of segments from WICC in Bridgeport, where Ingram was known as Ray Taylor.

… I’m what you call your ‘Hot Ticket’ on the radio …
The self-proclaimed “Hot Ticket” was Chuck McKay, who had been temporarily scheduled overnights on CKLW in 1975. Program Director Bill Hennes, who became aware of McKay’s inexplicable performance via an early morning phone call from the station engineer, writes: “He went nuts on the air. Today, instead of blowing him out, I would hire him and pay him big money for the same act.” McKay was correct – this performance got him a “hot ticket” right out of the radio station – never to return – that very morning. McKay, (real name Jim Welch), died of natural causes in Phoeniz, Arizona, in 2008. He was 59.
… bringin’ on a big, bad batch o’ boogie, man …
Wild Willy Mitchell was the air name used by Bill Hennes, heard here subbing for Brother Love on WKLO, Louisville, Kentucky, in 1972. We knew Bill Hennes was an energetic fellow, but this this high-energy performance was an amazing surprise. Here’s a consultant that really knew how to turn it up!
… Billy! Billy Jack, you don’ get that barn cleaned up yer not goin’ out in the pickup tonight! …
[Description by Gary Tinnes] Ted (The Bear) Richards is a perfectionist and an extremely talented guy. You didn’t just do his show, you lived it. Allan and Donny Osmond (left) with Ted The Bear Richards (right). Photo copyright 2001, Gary Tinnes On Sunday nights, he started doing these “stars” nights. You will hear various clips recorded by Pat Holiday (as Billy Preston, Ed Sullivan, John Wayne), Marc Daly (Fats Domino), etc. You will hear Ted trying to lower his voice to sound like he was doing the voice because officially we weren’t supposed to be running taped clips like that. It didn’t fit the format. I think that privilege was reserved for the Gary Burbank show in the morning. The second segment has a High-Low Jackpot contest with a very young contestant. See if you can figure out her answer! The background noise is not another station but leaking from the other track on the tape. The clip is not the best quality, but priceless.
… Steady, cool it, I can see chaos is setting in already …
Paul Cannon is heard taking requests from young ladies at a pajama party on WKNR, Detroit, in early 1965. In addition to his work around Michigan on various stations, Paul Cannon was a Michigan State Police officer. After landing a job at WKNR, he eventually became Program Director, around the end of 1965 or early 1966. Paul now lives in Peoria where he does national Voice-Over work.

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum