The Andy Bologovsky Collection

Andy Bologovsky at WKPN, Bridgeport CT.
Andy Bologovsky at WPKN, Bridgeport CT.
Andy Bologovsky writes:

I grew up in Milford CT, right along the shoreline, about 12 miles from New Haven. The early 70's were an absolute heyday for Top-40 in Connecticut. Each city, no matter how small, had at least one radio station playin' the hits. I discovered in my sophomore year of high school that I could also pick up distant AM stations at night. I was TOTALLY hooked! While doing homework, evenings were spent airchecking faraway powerhouses such as CKLW and WCFL.I amassed quite a collection of tapes. Still have them to this day and love sharing the radio of my growing-up years with my own 2 kids!

The Repository thanks Andy Bologovsky for sharing with us, too!
… if your wife wants to learn to drive, don’t stand in her way …
[Description by contributor Andy Bologovsky] It’s very difficult to find early WAVZ material! This aircheck features the “bells and whistles” sound of Bill Beamish, from Thursday, September 16, 1965. William R. “Bill” Beamish, 79, passed away on July 8, 2009 in North Miami Beach, FL from complications associated with prostate cancer.
… bagism and shagism and dragism and madism and ragism and thisism and thatism …
[Description by Uncle Ricky for this exhibit contributed by Andy Bologovsky] I first became acquainted with Hal Weaver and his work on CHUM, Toronto courtesy of Dan Haber’s CHUM Collection right here at REELRADIO. This exhibit originally was a lo-fidelity copy; it has since been replaced with a much better version. This UNSCOPED (includes music for which we pay license fees) aircheck from August 2, 1969 is also fun to hear. Weaver is truly entertaining and quite clever, and I suspect incredibly hip at the time, simply because he was not the standard fare. And this is NOT a liner-card and jingle demo at all. Weaver has long talk sets and is free to fun around here and there. The music IS the standard fare (with some surprises) and it’s a Million Dollar Weekend, but it’s a nice mix. And the spots! A classic snapshot of the time. Notice how Coca-Cola spent a ton on WABC in the earlier sixties and by 1969 was into major promotions on CHUM. And what’s that Storz-era news bug doing in the Coke spot? This aircheck was recorded on the station’s “skimmer” machine, saved for years by a CHUM secretary, and discovered in an antique store by Kent Spraggett. The music was restored by Charlie Ritenburg.
Scoped
… guest appearance by ME, the Italian Stallion …
[Description by contributor Andy Bologovsky] This Exhibit ‘SCOPED (05:54) In Stereo: No music more often! But please remember that in addition to music licensing fees for the complete (UNSCOPED) version, there are bandwidth and hardware costs for this ‘SCOPED version, and anything streamed from REELRADIO. Somebody has to pay for it either way, it might as well be you. (Complimentary hack by Uncle Ricky.) When I moved to New Jersey for college, I kept on airchecking. One of my favorite stations was WXLO (99X) in New York. This is a high-quality recording originally made on a chrome tape with Dolby B in June, 1978. It’s an unscoped half-hour in gorgeous stereo. Featured is Al Bandiero, a New York radio fixture at that time. Note the incredible audio processing that really gives everything a larger-than-life sound. This is a true disco-era period piece!
… guest appearance by ME, the Italian Stallion …
[Description by contributor Andy Bologovsky] This Exhibit ‘SCOPED (05:54) In Stereo: No music more often! But please remember that in addition to music licensing fees for the complete (UNSCOPED) version, there are bandwidth and hardware costs for this ‘SCOPED version, and anything streamed from REELRADIO. Somebody has to pay for it either way, it might as well be you. (Complimentary hack by Uncle Ricky.) When I moved to New Jersey for college, I kept on airchecking. One of my favorite stations was WXLO (99X) in New York. This is a high-quality recording originally made on a chrome tape with Dolby B in June, 1978. It’s an unscoped half-hour in gorgeous stereo. Featured is Al Bandiero, a New York radio fixture at that time. Note the incredible audio processing that really gives everything a larger-than-life sound. This is a true disco-era period piece!
Unscoped
… A shirt with Larry Lujack’s picture on it, baby – I never won anything in my life! …
[Description by Uncle Ricky for exhibit contributed by Andy Bologovsky] This Exhibit ‘SCOPED (10:14) For those who can do without the music, we present this ‘scoped version, with a reminder for everyone that we use bandwidth either way, plus we pay music license fees to include the tunes. Please support REELRADIO. Doc Brock is burning all fifty kilowatts — and more — in this incredible high-energy performance from Chicago’s Voice of Labor on September 4, 1974. Included in both the unscoped and ‘scoped versions of this Super ‘CFL sample: Spots for Ronco’s Rock Power, Chess King, Just Jeans, and a couple of high-power Instant Ripoff promos. The influence of Jack McCoy and KCBQ is obvious here, not only in the promo style but in the ubiquitous shotgun jingle. It’s just so seventies to hear that shotgun into Feel Like Makin’ Love. Contributor Andy Bologovsky says this recording was made with one of those early ’70’s radio cassette machines. Part two of this aircheck is below. Grady Brock suffered from pulmonary fibrosis, and passed away at the age of 66 on June 28, 2015.
Scoped
… A shirt with Larry Lujack’s picture on it, baby – I never won anything in my life! …
[Description by Uncle Ricky for exhibit contributed by Andy Bologovsky] This Exhibit ‘SCOPED (10:14) For those who can do without the music, we present this ‘scoped version, with a reminder for everyone that we use bandwidth either way, plus we pay music license fees to include the tunes. Please support REELRADIO. Doc Brock is burning all fifty kilowatts — and more — in this incredible high-energy performance from Chicago’s Voice of Labor on September 4, 1974. Included in both the unscoped and ‘scoped versions of this Super ‘CFL sample: Spots for Ronco’s Rock Power, Chess King, Just Jeans, and a couple of high-power Instant Ripoff promos. The influence of Jack McCoy and KCBQ is obvious here, not only in the promo style but in the ubiquitous shotgun jingle. It’s just so seventies to hear that shotgun into Feel Like Makin’ Love. Contributor Andy Bologovsky says this recording was made with one of those early ’70’s radio cassette machines. Part two of this aircheck is below. Grady Brock suffered from pulmonary fibrosis, and passed away at the age of 66 on June 28, 2015.
… on this magnificent menagerie of mighty music and myriad of mirth and magnetism …
[Description by Uncle Ricky. Exhibit contributed by Andy Bologovsky]

This is a restored composite recording, portions of which were orignally presented in a ‘scoped, re-ordered exhibit in The Dan Haber CHUM Collection, on April 1, 2001.

RESTORED-UNSCOPED
You bet, we pay music licensing for each and every play of any musical performance in this exhibit. We are user-supported! Please contribute to REELRADIO today.
Both exhibits are the work of Charlie Ritenburg, who prepared this partially stereo, RESTORED UNSCOPED version for the 1050 CHUM Homecoming event in 2001.

Purists prefer that airchecks be never manipulated, always authentic. The idea of inserting newer, clean recordings of music in older airchecks is not new. It’s very challenging to do, because matching the low-fidelity of off-air recordings with CD’s, or vinyl, is not easy. The results can often be distracting and disappointing, particularly when transitioning from lo-fi mono to hi-fi stereo and back to lo-fi mono. Indeed, the key to the presentability of this restoration is that the original airchecks were made “off the board” at CHUM. They were made at the request of a CHUM secretary who wanted to keep some memories. Charlie’s work on this restoration is flawless – I don’t think anyone could have done a better job.

The original CHUM board ‘checks certainly weren’t in stereo. Further (and this is the most obvious flaw of these restorations) they were made off-the-board, and there was no processing between the board and the tape recorder. This is particularly obvious during the live microphone segments, where distortion is frequently evident. It isn’t unusual for jocks to “pin the needle”. A tape recorder before the limiter takes a tremendous overload.

Still, this hour is great fun to hear, featuring a few rarely heard musical treasures, PAMS jingles and the wonderful humor of Brian Skinner, still wacky and way fun in 2004 – now in Stereo (and only some of it with phase problems, sounds best in BROADBAND at 96Kbps.) Some segments are from before Christmas, and the final segment is from 12/31/1965. Our thanks to Charlie, Kent Spraggett (who originally found the tapes) and contributor Andy Bologovsky.

… The premiere of the newest and most exciting sound on radio is happening now …

[Description by Contributor Andy Bologovsky]

RESTORED-UNSCOPED
You bet, we pay music licensing for each and every play of any musical performance in this exhibit. We are user-supported! Please contribute to REELRADIO today.
This exhibit is a restored, composite recording of the late Scott Muni and Johnny Michaels on WOR-FM, from October 8, 1966, the first day of the “new” sound at 98.7.

Gary Liebisch made the original recording, and gave it to Rob Frankel of ABC Radio, who is the official “restorian” for the annual WABC Rewound show. The recording is not contiguous, but includes portions of Muni’s morning and afternoon shifts, as well as a short segment of Johnny Michaels.

This copy is courtesy of ABC’s Bob Gilmore.

Unscoped
… . . . Everytime I play that song, I just want to lay down and die . . . …

[Description by Uncle Ricky for exhibit contributed by Andy Bologovsky]

For those who can do without the music, we present this ‘scoped version, with a reminder for everyone that we use bandwidth either way, plus we pay music license fees to include the tunes. Please support REELRADIO.
Doc Brock (d. June 28, 2015, 66) burns what’s left of those fifty kilowatts — and more — in Part Two of this incredible high-energy performance from Chicago’s Voice of Labor on September 4, 1974.

And how ugly that Doc should have to play two miserable double down ballads in this short aircheck, though he treats them professionally (even if Olivia is the target of some cynicism.) Seems as though WCFL was not keeping midday material out of the nighttime. A bit too broad, perhaps. But as always, Doc sounds great and way beyond normal.

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Board of NCBHP
North Carolina Broadcast History Project