The Andy Bologovsky Collection

Andy Bologovsky at WKPN, Bridgeport CT.
Andy Bologovsky at WPKN, Bridgeport CT.
Andy Bologovsky writes:

I grew up in Milford CT, right along the shoreline, about 12 miles from New Haven. The early 70's were an absolute heyday for Top-40 in Connecticut. Each city, no matter how small, had at least one radio station playin' the hits. I discovered in my sophomore year of high school that I could also pick up distant AM stations at night. I was TOTALLY hooked! While doing homework, evenings were spent airchecking faraway powerhouses such as CKLW and WCFL.I amassed quite a collection of tapes. Still have them to this day and love sharing the radio of my growing-up years with my own 2 kids!

The Repository thanks Andy Bologovsky for sharing with us, too!
Scoped
… Here in the land of Ooh-bla-dee, Mad Daddy giggle jiggle with all the glee, clappin’ and flappin’ to make it happen …
Mad Daddy Pete Myers (©1963, E.C. Productions and Mad Magazine) On New Year’s Eve 1956, the “House of Moondog” was back in business at WJW (850) Cleveland, when Pete Myers (1928-1968) arrived at the former digs of Alan Freed’s rock ‘n’ roll party. Freed had left Cleveland for New York in the fall of 1954. Myers became known as “Mad Daddy” in 1957. Mad Daddy also left Cleveland for one shift at WNEW, and a more successful run at WINS in New York, but not until June 1959 after a stint at WHK. Sadly, Mad Daddy took his own life in October of 1968. This exceptional and very rare recording of WJW in 1958 features Myers’ trademark rhyming rap, and lost “blues and rhythm” treasures like Service with a Smile, Greasy Chicken and Teenage Machine Age. And we are treated to an obscure single by Mad Daddy himself, I Love a Practical Joke, performed as The Joker. Here it is – the true roots of American Top 40 radio: An outrageous disc jockey, with a maniacal laugh, playing “race music”. It’s no wonder that some older folks were terrified by the sounds coming from their radios!
Unscoped
… Here in the land of Ooh-bla-dee, Mad Daddy giggle jiggle with all the glee, clappin’ and flappin’ to make it happen …
Mad Daddy Pete Myers (©1963, E.C. Productions and Mad Magazine) On New Year’s Eve 1956, the “House of Moondog” was back in business at WJW (850) Cleveland, when Pete Myers (1928-1968) arrived at the former digs of Alan Freed’s rock ‘n’ roll party. Freed had left Cleveland for New York in the fall of 1954. Myers became known as “Mad Daddy” in 1957. Mad Daddy also left Cleveland for one shift at WNEW, and a more successful run at WINS in New York, but not until June 1959 after a stint at WHK. Sadly, Mad Daddy took his own life in October of 1968. This exceptional and very rare recording of WJW in 1958 features Myers’ trademark rhyming rap, and lost “blues and rhythm” treasures like Service with a Smile, Greasy Chicken and Teenage Machine Age. And we are treated to an obscure single by Mad Daddy himself, I Love a Practical Joke, performed as The Joker. Here it is – the true roots of American Top 40 radio: An outrageous disc jockey, with a maniacal laugh, playing “race music”. It’s no wonder that some older folks were terrified by the sounds coming from their radios!
Scoped
… My New Year’s resolution will be not to dream of Raquel Welch, just to dream of normal mountains …

[Description by Uncle Ricky. Exhibit contributed by Andy Bologovsky]

Part Eight of this Extended-Play CKLW Logger Tape features Johnny Williams and his very boss jock program from 10:15 AM to approximately 11:30 AM on Monday, December 31, 1973.

Grant Hudson interrupts with a traffic advisory, and is also heard with 20/20 News and a CKLW In-Depth report about Canadian Robert Goulet.

This recording, like the previous CKLW Logger Tapes presented in The Andy Bologovsky Collection, was recovered from the original logger reels by restorian Charlie Ritenburg. The fidelity is comparable to a recording made from a narrow-band AM receiver in the local signal area of the mighty CKLW.

Unscoped
… My New Year’s resolution will be not to dream of Raquel Welch, just to dream of normal mountains …

[Description by Uncle Ricky. Exhibit contributed by Andy Bologovsky]

Part Eight of this Extended-Play CKLW Logger Tape features Johnny Williams and his very boss jock program from 10:15 AM to approximately 11:30 AM on Monday, December 31, 1973.

Grant Hudson interrupts with a traffic advisory, and is also heard with 20/20 News and a CKLW In-Depth report about Canadian Robert Goulet.

This recording, like the previous CKLW Logger Tapes presented in The Andy Bologovsky Collection, was recovered from the original logger reels by restorian Charlie Ritenburg. The fidelity is comparable to a recording made from a narrow-band AM receiver in the local signal area of the mighty CKLW.

Scoped
… this is Johnny Williams with my blue swede shoes on …

[Description by Uncle Ricky. Exhibit contributed by Andy Bologovsky]
Part Seven of this Extended-Play CKLW Logger Tape opens with Jon Belmont and news. It was recorded on the last day of 1973, from about 8:55 AM until approximately 10:15 AM. The first set after the news belongs to Mickey Shorr, who signs off and out of this remarkable logger archive.

And then, Johnny Williams takes over. He is exactly what we expected from first-drawer CKLW jocks – tight, in-control, boss with just a little jive. He pumps the call letters and gets into the music in this exhibit.

This recording, like the previous CKLW Logger Tapes presented in The Andy Bologovsky Collection was recovered from the original logger reels by restorian Charlie Ritenburg. The fidelity is comparable to a recording made from a narrow-band AM receiver in the local signal area of the mighty CKLW.

Unscoped
… this is Johnny Williams with my blue swede shoes on …

[Description by Uncle Ricky. Exhibit contributed by Andy Bologovsky]
Part Seven of this Extended-Play CKLW Logger Tape opens with Jon Belmont and news. It was recorded on the last day of 1973, from about 8:55 AM until approximately 10:15 AM. The first set after the news belongs to Mickey Shorr, who signs off and out of this remarkable logger archive.

And then, Johnny Williams takes over. He is exactly what we expected from first-drawer CKLW jocks – tight, in-control, boss with just a little jive. He pumps the call letters and gets into the music in this exhibit.

This recording, like the previous CKLW Logger Tapes presented in The Andy Bologovsky Collection was recovered from the original logger reels by restorian Charlie Ritenburg. The fidelity is comparable to a recording made from a narrow-band AM receiver in the local signal area of the mighty CKLW.

Scoped
… Alright Charlie, toss him out of the front door then if he’s got such a big name …
[Description by Ed Brouder] Ron Landry Ron Landry was born in New Orleans, raised in Washington, and at his creative zenith during six years in the Insurance City (1960-1966). His “light and lively” morning show was peppered with comedy drop-ins (his special favorite was Stan Freberg,) and he was a master at excerpting clips from commercials as part of the buildup to a spot. Watching Landry work must have been a treat. As a tune was spinning, he would record half a conversation using a character voice through the audition channel of the console. The engineer would rewind it and wait for a cue. Then, Landry did the other half of the conversation in his own voice, live. His timing and use of sound effects was superb. During his last year at Big D, Ron also hosted “Scene 18”. a weekly Bandstand-type show on a local TV station. On this morning, Landry decides to get a shave down at the WDRC Barber Shop. Note the mention of engineer Wayne Mulligan, who is WDRC’s current Vice President and General Manager.
Unscoped
… Alright Charlie, toss him out of the front door then if he’s got such a big name …
[Description by Ed Brouder] Ron Landry Ron Landry was born in New Orleans, raised in Washington, and at his creative zenith during six years in the Insurance City (1960-1966). His “light and lively” morning show was peppered with comedy drop-ins (his special favorite was Stan Freberg,) and he was a master at excerpting clips from commercials as part of the buildup to a spot. Watching Landry work must have been a treat. As a tune was spinning, he would record half a conversation using a character voice through the audition channel of the console. The engineer would rewind it and wait for a cue. Then, Landry did the other half of the conversation in his own voice, live. His timing and use of sound effects was superb. During his last year at Big D, Ron also hosted “Scene 18”. a weekly Bandstand-type show on a local TV station. On this morning, Landry decides to get a shave down at the WDRC Barber Shop. Note the mention of engineer Wayne Mulligan, who is WDRC’s current Vice President and General Manager.
Scoped
… a group that really gives a tune a good flavor …
[Description by Uncle Ricky. Exhibit contributed by Andy Bologovsky]

“Diamond” Jim Nettleton (d. October 4, 2009) is featured in this noisy capture of his early afternoon show on Hartford’s Big D/WDRC from July 7, 1964.

In addition to the very high noise level, the receiver was slightly mistuned. It’s only obvious on the jingles, sounding like they’re sung by Sylvester the cartoon cat. For their Summer Celebraton, some of the classic Big D jings were mixed with water and boat sounds. It’s likely that all the jings got a little high-end tweak in the production room, and it was just enough to splatter on a radio tuned a little off center.

Technical issues aside, Nettleton is super-smooth. He went on to an impressive career which included WFIL, WABC, WCAU-FM, WUSL-FM, WSNI-FM and WOGL-FM.

This was a great American Top 40 radio station. It’s obvious WDRC was big-time all the way, with their Best Sellers, Swingin’ 60 Survey, Listener Songquests, Vacation Dedications and their Big D Exclusives!

Unscoped
… a group that really gives a tune a good flavor …
[Description by Uncle Ricky. Exhibit contributed by Andy Bologovsky]

“Diamond” Jim Nettleton (d. October 4, 2009) is featured in this noisy capture of his early afternoon show on Hartford’s Big D/WDRC from July 7, 1964.

In addition to the very high noise level, the receiver was slightly mistuned. It’s only obvious on the jingles, sounding like they’re sung by Sylvester the cartoon cat. For their Summer Celebraton, some of the classic Big D jings were mixed with water and boat sounds. It’s likely that all the jings got a little high-end tweak in the production room, and it was just enough to splatter on a radio tuned a little off center.

Technical issues aside, Nettleton is super-smooth. He went on to an impressive career which included WFIL, WABC, WCAU-FM, WUSL-FM, WSNI-FM and WOGL-FM.

This was a great American Top 40 radio station. It’s obvious WDRC was big-time all the way, with their Best Sellers, Swingin’ 60 Survey, Listener Songquests, Vacation Dedications and their Big D Exclusives!

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum