Media Preservation Foundation Collection

Tracy Carman, Jim Wells and Jodie Lyons
(l-r) Tracy Carman, Media Preservation Foundation, Jim Wells and Jodie Lyons, Futursonic Productions. When this photo was taken in 1995, Jim and Jodie hadn't seen each other in 30 years.
 

Don Worsham
Don Worsham doing sound stuff.

 

THE VERSATILES

Futursonic's Versatiles vocal group, 1960. (l-r) Jodie Lyons, Brian Beck, Libba Weeks, Jerry Whitman and Judy Parma.

 

 

The Media Preservation Foundation, a not-for-profit organization dedicated to the preservation of media archives, is a labor of love for Tracy Carman of Massachusetts and Don Worsham of California. In 2000, while tax-exempt status was pending for REELRADIO, Media Preservation Foundation established a fund for contributions to keep the REELRADIO web site online.

The Foundation's archives include, but are not limited to:

  1. Radio station airchecks, radio station production, radio shows, commercials, jingles, et. al.
  2. Print media, such as newspapers and historic photo archives.
  3. Visual materials, such as old television programs on both film and magnetic media, film libraries, commercial productions, et. al.

The Foundation's objective is to "acquire the items before they make their way to a dumpster." It is the Foundation's intention to make these archives available to the public for research and educational purposes.Don Worsham has been researching and writing a book on radio ID jingles for several years, which the Foundation hopes to publish. Collectors wishing to contribute materials to the Foundation can contact Tracy Carman via e-mail, or write The Media Preservation Foundation, Box 61223, Longmeadow, Massachusetts 01116-6223. Visit Media Preservation Foundation on the web at www.jingles.org

The Foundation has received both financial and material contributions to date from the Estate of Ron Lewis; the Estate of Edith Siday; Brian Beck; Ed Brouder of Man From Mars Productions; Bob Craig of WPEN Radio; Ken R. Deutsch of Ken R., Inc.; Ben Freedman of Ben Freedman Productions division of CPMG, Inc.; Chuck Herlihy of WEAT/WIRK Radio; Radio Historian Peter Kanze; Jack Kratoville of New York's WLTW (Lite-FM); Bill Shannon of Charleston's WXLY; Doug Allen Wedge; Jodie Lyons and Jim Wells, both formerly of PAMS Productions and Futursonic Productions; and Jonathan M. Wolfert of Jam Productions, Inc. amongst countless others.

… What kind of fun do you want, Bill? …
Description by Uncle Ricky This classic and glistening composite of PAMS jingles customized for Gordon McLendon’s KILT in Houston includes selections from four of the most successful PAMS Series of all time. It begins with samples of Series 17, The New Frontier, first syndicated in 1961. At 06:38, the composite steps into Series 18, SonoSational, another 1961 release featuring the Sonovox and copious instrumental versions of the original K-I-L-T Six Ten in Houston signature. What is possibly the most popular PAMS Series of all time blasts in at 09:17. From 1964, Jet Set, Series 27, is the one most closely associated with WABC/New York. The logo is the same as the one used in the previous two series, but Six Ten in Houston is alternated lyrically with Sixty One in Houston, The Fun Spot, The Happy One, The Bright One, and The Big One. And then, at 15:22, we hear a set of FUNNNN sonovox Jock Ids for the KILT staff. There’s hand-clapping, some gorgeous acapella work, and a new Deep In The Heart Of Texas signature for Series 33, Fun Vibrations (1967). This series spotlights outstanding vocalist Trella Hart. At 19:48, the final segment features long-time programmer Bill Young directing a shout session. MORE EXHIBITS FROM THE MEDIA PRESERVATION FOUNDATION COLLECTION! REELRADIO, Inc. ©2012
… . . . The Maestro . . . …

On September 13th, 2008, a country club in Dallas was filled with friends, family, former competitors, associates and a variety of others to honor Tom Merriman. It is the first (and only) time that all of these people had been gathered under one roof, and for a very good reason…. to honor “Dallas’ own music man”. The event was fun, and meeting many people I’ve only heard of by legend, spoken to on the phone, or whose names I’ve only seen in print was absolutely mind blowing.

One person commented “Enjoy this event. It’s a once-in-a-lifetime event and you’ll never see this many industry people gathered in one place at one time.” He was both right and wrong. Unfortunately, tonight and tomorrow people will be gathering once again in the Dallas area, but this time to pay their final respects to Tom Merriman, who passed away last Wednesday.

You may not know him by name, but I’d bet a dozen Krispy Kremes that you’ve heard his music. As co-founder of TM Productions, his ID (and commercial) jingles graced the airwaves of hundreds of radio stations around the globe for decades. He also wrote scores for Vegas shows, musical arrangements for artists, music for theme parks and countless other audio productions that I find mind-boggling. He was the singing voice of the “Otto The Orkin Man” commercials and wrote “Do The Slurp” for 7-Eleven in the sixties. The list goes on and on and on……

It would be impossible for me to find a timely cross section of representative materials that Tom wrote and produced. In fact, at the tribute last year, a jukebox was presented to Tom with a selection of his “greatest hits” jam-packed on the CDs inside. So, instead of this, I’m pleased to provide two pieces of audio included on a limited edition CD presented to the attenders of last years event. “The TM Song” was produced in Los Angeles as part of a session for WCFL and pieced together to showcase TM and their radio station clients. “White Striped Pavements” is a cut that was part of TM’s Where Your Friends Are package and originally sung in syndication by Country music singer Janie Frickie (the version included here
was sung by Abby Holmes).

There is tons more I could add here, but I think the best I can do is say “Thanks, Tom” and offer my condolences to his wife, Jackie, and the rest of his family. May you rest in peace in jingle heaven…

MORE EXHIBITS FROM THE MEDIA PRESERVATION FOUNDATION COLLECTION!

REELRADIO, Inc. ©2009

… . . . It’s not the cereal, it’s the milk. I milked the dog this morning . . . …

WARNING: ADULT LANGUAGE MIGHT OFFEND THE EASILY OFFENDABLE!

Description by Uncle Ricky

Just when you think this incredible compilation of jingles couldn’t go on, it does. I’ve named it “Michael Neff Series 16 Jingle Sampler” because it opens with the voice of the PAMS Series 16 Jingle Demo – but it is so much more than that. SO much more.

At least, in this one, we get to hear Michael talking about his early interest in jingles and WCFL, and his favorite: WGAR. They had so many, and every one said: “another 50 thousand watt winner…”

Michael Neff was a legendary radio production and programming wizard who, in recent years, has maintained a professional separation from REELRADIO. Prior to that, he made several Jingle Samplers of the type heard here.

Listen. They wrote ’em in the good old days…

… in case of a tie, judges will exchange for cufflinks …
Description by Uncle Ricky Michael Neff aka SuperSplice, prepared this special Christmas Edition of his jingle sampler in December, 1977, his last holiday season in Chicago at WIND. Michael says he made this and all his Christmas Jingle Samplers on consumer equipment at home! Thankfully, he had great first-generation dubs of his jingles, and a clean tape head, and the tapes and machines were mostly all in alignment! (Freaky Amazing.) Like all the Neff samplers, the fidelity sounds professional, if not actually actually produced on “professional” equipment. All the jingle elves are busy at The Magnetic North Pole, and you’re one of the welcomed “Collectors” offered a front-row seat for this delightful composite of jingles from all over. They’re not all Christmas jingles, but there ARE Christmas jingles. It’s obviously suited for a Holiday presentation, but can also be enjoyed all year! REELRADIO and Media Preservation Foundation are delighted to offer this sparkling Michael Neff Sampler for your holiday happiness and enjoyment. MORE EXHIBITS FROM THE MEDIA PRESERVATION FOUNDATION COLLECTION! REELRADIO, Inc. ©2007
… The most exciting new idea in IDs since acapellas …
Description by Uncle Ricky Houston’s KILT and Baltimore’s WCBM are featured on this demo to fix everyone’s basic problem – PACE and TEMPO. These jingles were also used on WCFL and at least one was used on KCBQ. In fact, if you dropped the instrumental “tags” on some of these (something they considered a benefit) you would, in fact, have some pretty hot “shotgun” jingles. I’d bet this was distributed in 1971, but if I am wrong, I was close. What I remember most about this demo is the great vocal blend. When they sing the slow “Baltimore” ID, note the “up-front” quality of the bass vocalist. Years later, the late Fred Hardy at JAM told me to ask that my jingles be written “open” if I wanted that slightly raw bass-guy out-front mix. MORE EXHIBITS FROM THE MEDIA PRESERVATION FOUNDATION COLLECTION! REELRADIO, Inc. ©2007
… . . . When do I get my check from PAMS? . . . …

WARNING: OBSCENITY, MAY NOT BE SUITABLE FOR ALL AUDIENCES. YOU HAVE BEEN WARNED!

Description by Uncle Ricky

Jackie Dickson, Carol Piper, Libba Weeks, Marv Shaw, Bill Ainsworth, Charlie Thompson, Jim Clancy, and engineer Bruce Collier all introduce themselves at the beginning of this tape created for the 1971 PAMS Christmas Party.

Like all the PAMS party tapes, it was prepared for a very select group of listeners — the employees of PAMS, and perhaps a few clients. So, here’s some ’71 fun from your friends at Media Preservation Foundation and REELRADIO.

A reminder that all PAMS material at REELRADIO is the copyrighted property of PAMS, Inc.

… . . . Just do the best you can . . . …

Description by Uncle Ricky

At the time of publication, the most we know is that this PAMS (with a little “®”) seasonal party tape was patched together sometime in the ’60’s. But we’re open to correction.

This was prepared for a very select group of listeners – the employees of PAMS, perhaps a few clients, but certainly, if you don’t “get it” – you can still enjoy it. Here’s a bit of seasonal fun from your friends at Media Preservation Foundation and REELRADIO.

A reminder that all PAMS material at REELRADIO is the copyrighted property of PAMS, Inc.

… The fourth chime rings only when news is breaking of world importance …
Description by Uncle Ricky This NBC Radio News program was originally broadcast on November 24, 1944 and discovered on a transcription disc years later at WTIC in Hartford, Connecticut. Media Preservation Foundation contributed this rare recording to REELRADIO from their WTIC Collection. It features the honor roll of NBC commentators and war correspondents of the era: Don Goddard, Robert McCormick, Max Jordan, H.V. Kaltenborn, John Vandercook, Robert St. John, Louis Lochner, W.W. Chaplain, Morgan Beatty, Stanley Richardson, John McBane, and Max Hill. Unlike most of what you’ll hear on broadcast news today, these literate reporters were fiercely pro-American, and that sentiment is reflected in their commentary. It’s also unusual to hear dramatic re-creations of some of their personal recollections of history. This is a fascinating feature for baby boomers, media students, and all those with an interest in World War II history. MORE EXHIBITS FROM THE MEDIA PRESERVATION FOUNDATION COLLECTION! REELRADIO, Inc. ©2005
… . . . Whaddya suppose’ll be on it? Oh, prob’ly stuff that wasn’t good enough for the first one . . . …

Description by Uncle Ricky

We’ve been privileged to feature Michael Neff’s 1978 Jingle Sampler in The Dan Haber Collection, since August of 1998. Mr. Neff produced a number of these jingle samplers over the years.

Now, thanks to Media Preservation Foundation, we’re presenting the sampler that Neff prepared for Christmas, 1979, while working at WGY (Albany-Schenectady, NY).

Only a few of the jingles in this sampler are genuine “Holiday” jingles, but the jingles are from stations all over America. Some were “Golden Oldies” at the time, some were more recent, like the featured WGY selections. Altogether, this is a very enjoyable exhibit, to say the least.

… If you’d unclench your teeth, I could get my hand out of your mouth …
Description by Uncle Ricky Here’s Bob Dayton in afternoon drive on Happening PIX, WPIX-FM in New York City. Recorded on Monday, May 8, 1972, WPIX was utilizing audio processing sufficient for the proverbial tennis ball and garden hose. This one was contributed sans Stereo, but it’s unknown if that condition applied only to this aircheck, or to the station in general at the time. The John Webster newscast seems intact, as are several enjoyable commercial and public service announcements. And was Dayton running his own board? Diary by Bread starts at the wrong speed, and he quips, “OK, here we go again” when it’s corrected. And the jingles? No idea, but very unusual! MORE EXHIBITS FROM THE MEDIA PRESERVATION FOUNDATION COLLECTION! REELRADIO, Inc. ©2004

Welcome to the new ReelRadio!

This site is now operated by the North Carolina Broadcast History Museum. 

We want to thank the board of ReelRadio, Inc. for their stewardship since the passing of the founder Richard Irwin in 2018.  It has not been easy and they have maintained the exhibits for future generations to enjoy.

I met Richard Irwin, aka Uncle Ricky, when we were freshmen at East Carolina University.  We both had worked at local stations in our hometowns.  No one was more passionate about radio, especially Top 40 radio, than my friend Richard. 

Our goals with this site are to preserve the exhibits and make them available free of charge for people to enjoy.  Over time, we hope to add some airchecks to the site.  This will not happen immediately.  Time and resources will determine the future of new exhibits. 

Many thanks to the web folks at the Beasley Media Group for countless hours of work.  Again thanks to the board members of ReelRadio, Inc. for their faith in us. 

Richard Irwin’s hope was that his site would live on long after his passing. He said, “I hope REELRADIO will survive as my contribution to the ‘radio business’. The business is allowed to forget me, but the business should never forget the great era of radio that we celebrate here”.

We remember Richard and we thank him. If you enjoy this new site, we would appreciate a contribution. We hope you enjoy the new ReelRadio!

Carl Davis
Trustee
North Carolina Broadcast History Museum